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      <image:title>About - https://www.artsy.net/partner/bigaignon</image:title>
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  <url>
    <loc>https://bigaignon.com/events</loc>
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    <priority>0.75</priority>
    <lastmod>2025-10-17</lastmod>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/6d8ac710-fba9-4eda-8e0a-0270cf4a709d/IMG_9578.JPG</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/be4aba76-d30f-41a9-828a-602485f5cea6/Hcarr%C3%A9.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/858ae24b-2ec8-4cf6-b55c-677782973738/image0.jpeg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/f8597089-97f2-476f-a4e1-20220cbde694/topgraphiedelart-logo-SEUL.jpg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/0f0ccc4a-33b4-4815-89f7-539574b90ae4/METAHAUS.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/ede65c83-63fe-48a3-8c66-f350b8048aed/Capture+d%E2%80%99%C3%A9cran+2023-10-11+%C3%A0+14.04.51.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/5c136f69-cdc9-4322-91b3-1ca30084d953/Marais_digitart.jpeg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/f6b39704-000d-4b18-8646-b64ea2c2531a/Cover+Epsilon.jpg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b4437c2b-8070-4ee8-bc7f-5c2f1aa7ac36/Harold-Feinstein_Boardwalk-Sheet-Music-Montage.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/fcc4be94-3d68-4056-8e44-ee2016e5322b/Light-Notes-RA.jpeg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/fd8ebc23-3c3b-498e-9cb6-614190d33271/Capture+d%E2%80%99%C3%A9cran+2022-11-22+%C3%A0+15.53.06.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b6479a79-ced5-4fd5-8d42-cfb8c4c0f8bf/Capture+d%E2%80%99%C3%A9cran+2022-11-19+%C3%A0+11.24.58.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/015f0d81-68a3-4cff-88e7-77b8582651a5/Capture+d%E2%80%99%C3%A9cran+2022-03-09+%C3%A0+18.12.56.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/c05972c6-f4b1-4fe9-994d-3f2f0a507315/Capture+d%E2%80%99%C3%A9cran+2021-11-23+%C3%A0+19.13.14.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/89855dd0-73ad-4f5d-969b-3efbeb7482f4/Marc-L%C3%A9not.jpg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1632386635598-Y5PI0YA7ZPJZNK1S6J45/bigaignon.png</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1632385700658-YM3KVCTC5PP6J9S3GHS5/369f6a9e-bd0b-f1f2-4304-7d80584b13c8.jpg</image:loc>
      <image:title>Beyond the Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Beyond the Gallery</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1529964711290-2F5075U2NI9B5JHUP7NL/Traces+of+a+human+occupation+by+Am%C3%A9lie+Labourdette</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Traces of a human occupation by Amélie Labourdette</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1529963916567-ZWFUW7A1ANYSR20VY1X8/Culture+Secrets</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Culture Secrets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527848283870-OVNJ61UQS49J1TNPR9HT/Harold+Feinstein%27s+Graciously+Yours+exhibit+during+%22Les+Jeudis+Arty%22</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Harold Feinstein's Graciously Yours exhibit during "Les Jeudis Arty"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527847952341-SLJIPI2N9HLZ0GO81MS6/Ralph+Gibson%2C+Chevalier+de+la+L%C3%A9gion+d%27Honneur</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Ralph Gibson, Chevalier de la Légion d'Honneur</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527846180395-HGE3OODVO0QYX9AYSHC5/Private+exhibit+%22Valsanzibio%22+by+Renato+D%27agostin</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Private exhibit "Valsanzibio" by Renato D'agostin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1522938434643-O2ESUYWCQQXQGTJOCJ0L/Galerie+Thierry+Bigaignon%2C+%22Les+Mardis+Arty%22</image:loc>
      <image:title>Beyond the Gallery</image:title>
      <image:caption>Galerie Thierry Bigaignon, "Les Mardis Arty"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1517676181705-ERB30MA1J5V451NQ1YDM/Expo-Amoureux-Affiche.jpg</image:loc>
      <image:title>Beyond the Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1517674336217-2IOGD3KT4R0YE5MK405G/Alain-Cornu_SurParis</image:loc>
      <image:title>Beyond the Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508604988018-CJLBTFHBA2UY766CSQNQ/Catherine+Balet%2C+%22Looking+for+the+Masters+in+Ricardo%27s+Golden+Shoes%22</image:loc>
      <image:title>Beyond the Gallery</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508602533342-4TKVPI3FUP7GFDTKAE12/Alain-Cornu-Artazart.jpg</image:loc>
      <image:title>Beyond the Gallery</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508598652812-NXSC07S3DZ2G1ADT7EA8/Ralph-Gibson-Montpellier.jpg</image:loc>
      <image:title>Beyond the Gallery</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508598022709-ASH4TCZOCXPXO0FZO1JV/Dimanche-a-la-galerie.jpg</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508598080285-BS8EW9B43R6HGS28XHRR/Portraits.jpg</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1495041856582-DZNETXQZNVZOYDJ46P5F/image-asset.png</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508598210944-X6HH9RHXFS5USOKEONBU/Photo-London-2017.png</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487768577176-UI19LQNPMUKXV01M0I7Z/image-asset.png</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1508598376462-JD80MK1LL31VA6V79UDA/1479900887248.gif</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487768593491-VVASES2T2BQYP0OEVSMJ/image-asset.png</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1480167729674-FOFFW0EPUKUMAB29FT6T/Galerie+Thierry+Bigaignon+at+Satellite+Spirit</image:loc>
      <image:title>Beyond the Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1479901009434-NM9WRR6K9EK6HO6GA7KG/image-asset.png</image:loc>
      <image:title>Beyond the Gallery</image:title>
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  </url>
  <url>
    <loc>https://bigaignon.com/renato-dagostin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782658124-2CPD47G05E60HKSSFLN2/GTB_Renato-D-Agostin_Portrait_Courtesy-Galerie-Thierry-Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1758812450357-HWH55BF4LOCAD8W66DRX/rebayvalentinabellomo20253.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740222947330-UMOF1GVXOTD82B7ROQO6/DSC_9750+HD.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740222972151-K1FFNS5UR9PZ9GL9XXIN/Install-view_et-si-tout-netait-que-mirage_courtesy-Bigaignon_Renato-DAgostin_085+copie.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the group show “What if it was all just mirage”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740222980857-WOK8TTDYCRFEPMBTX9B7/_MG_5242+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the group show “A Black &amp; White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740222981458-SJWUXHPUYWIOH4C9XVQU/_MG_5255+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the group show “A Black &amp; White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740224603529-5K9AABH6D4NUK8IPER4E/Install-Views_Chair-du-temps_Renato-DAgostin_courtesy-Bigaignon_01_HD+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740224612644-QNDT36RYI3F7UNO64BT0/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Renato-DAgostin+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225317399-ZY95ADZ49N67C4KECV4D/Install-View_Veni-Etiam_Renato-DAgostin_Courtesy-Bigaignon_56+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “Veni Etiam”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225314999-V91J9WXMNPQTIQM3DSC2/Install-View_Veni-Etiam_Renato-DAgostin_Courtesy-Bigaignon_76+copie.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “Veni Etiam”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225317084-NIHW4JTZXOFXX3SCQ9HE/Renato-D-Agostin_Harmony-Of-Chaos_Exhibition-View-4_Courtesy-Galerie-Thierry-Bigaignon+copie.JPG</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “Harmony of Chaos”, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225319032-1UODHRCYGK7UNVTQJC0G/Renato-D-Agostin_Harmony-Of-Chaos_Exhibition-View-5_Courtesy-Galerie-Thierry-Bigaignon+copie.JPG</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “Harmony of Chaos”, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225484665-1CLCBG663QPXZLLDSET1/GTB_7439_InstallShot-9+copie.JPG</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “7439”, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225601585-B9JFN6F3C9A2XIBP252P/GTB_United_Courtesy-Galerie-Thierry-Bigaignon-14%252Bcopie.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption>Installation view of the solo show “7439”, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081523832-1YFMBV0ZF6L53WBLQK0O/GTB-0278-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Alabama, 2015</image:title>
      <image:caption>Silver gelatin print made by artist, printed in 2018 48 x 32 cm (18 7/8 x 12 5/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081538676-AD0MIBMT9X61F4QEWDJQ/GTB-0240-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Death Valley, California, #1, 2015</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford Fiber Based paper (2017) 32 x 48 cm (12 5/8 x 18 7/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081528088-ZXKKCFWX1Y4W7GT9B0QN/GTB-0518-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - The Beautiful Cliché, 2010</image:title>
      <image:caption>Silver gelatin print made by artist, printed in 2018 32 x 48 cm (12 5/8 x 18 7/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225913189-CKCJL1OHXNGVACXZZ5N0/GTB_Renato-D-Agostin_HarmonyOfChaos-03-HR_Courtesy-Galerie-Thiery-Bigaignon.jpeg</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081526338-RJLQEJ8IE8UQE49PXLXI/GTB-0233-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Detroit, Michigan, #1, 2015</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford Fiber Based paper (2017) 32 x 48 cm (12 5/8 x 18 7/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081528361-3RTFHZX8DIP3UTC5PGTF/GTB-0512-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Harmony of Chaos, #10, 2012-2019</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford matt paper (2019) 60 x 40 cm (23 5/8 x 15 3/4 in) Edition of 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081543495-H9220LCAUBB4JSEFMJMO/GTB-0962-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Harmony of Chaos, #09, 2012-2019</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford matt paper (2019) 40 x 60 cm (15 3/4 x 23 5/8 in) Edition of 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081538044-GRXPBBCGP06RBINZJCB9/GTB-0238-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Grand Canyon, Arizona, #2, 2015</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford Fiber Based paper (2017) 32 x 48 cm (12 5/8 x 18 7/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740225833658-IHX5T807I5QWKF1QXB2S/Renato_D-Agostin_Veni-Etiam-2_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081535883-AVXJTCEN3L0FL9TJY9Y1/GTB-0230-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Death Valley, California, #2, 2015</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford Fiber Based paper (2017) 48 x 32 cm (18 7/8 x 12 5/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081540045-MTGJLYEERXQ4W25RIYB2/GTB-0520-image.png</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Istanbul, 2013</image:title>
      <image:caption>Silver gelatin print made by artist, printed in 2018 32 x 48 cm (12 5/8 x 18 7/8 in) Edition of 25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569081527549-MMZ4L1PPV7LP3I81QCH4/GTB-0961-image.jpg</image:loc>
      <image:title>Renato D'Agostin - Renato D'Agostin - Harmony of Chaos, #05, 2012-2019</image:title>
      <image:caption>Silver gelatin print made by artist on Ilford matt paper (2019) 80 x 120 cm (31 1/2 x 47 1/4 in) Edition of 5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226053086-KIE85YABLCHL5YI96MQU/Capture+d%E2%80%99%C3%A9cran+2025-01-09+%C3%A0+14.04.41.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226050741-UF299JARMNQNOV7NRKSA/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.36.38.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226046138-TH8Z1WUDRE7KQ2FV0GZC/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.35.23.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226045208-J0O3A1BY51EU3H0O6HS7/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.35.11.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226134879-JAKK5HZ2X3I6R32WJKUY/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.36.49.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226055039-AB8LVF3Q87MXIDKJ5U5U/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.07.52.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226044903-S2MPE0ILUYG2BERTFYGT/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.34.55.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226043596-86QLGLTB2VSIUH7UED57/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.34.35.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226043299-HQI2PR5BT65PYH06I3W7/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.34.22.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226049149-YMQ4LRDXQDJ60O3YV5AO/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.36.21.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226049077-IV2M17XNQAEEDTYVK4C3/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.36.13.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226331574-45HHTQ8SRZ5GU9ZV7LFY/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-23%2B%25C3%25A0%2B14.35.57.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226047130-EP5PBOX8F93NF9RIVRJ0/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.35.45.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226041801-NBEMB3RBIM8TYBZY6UHO/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.34.03.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226362540-AK1Y5GE0HIEIDF6XPHGL/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-23%2B%25C3%25A0%2B14.33.49.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226351658-LYF23HNV49CK6HKLB698/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-23%2B%25C3%25A0%2B14.33.36.jpg</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226039617-TA0JVJMRZWN24OAV0HQA/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.33.16.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740226314965-39WF09ZH2F9RX5P4X8M1/Capture+d%E2%80%99%C3%A9cran+2025-02-22+%C3%A0+13.11.28.png</image:loc>
      <image:title>Renato D'Agostin</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/yannig-hedel-quarter-past-twelve</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548780600401-BI1INCRGNMFAM7LWO7LF/Yannig-Hedel_Heures-Blanches-16_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1532442358275-JLKRSPDESLZ78DMYBX1S/Yannig+Hedel%2C+%22Quarter+Past+Twelve%22</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
      <image:caption>Yannig Hedel, « Midi et quart » (1998)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776741077-NZT1SPS3OIYMCJOFFP6U/Yannig-Hedel_Heures-Blanches-22_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776782618-RDGSOBRX7IG9OX04VNPM/Yannig-Hedel_Les-Eclats-Blancs-1-2_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776748295-6ZBF6ZCRN0SAB44Z41KR/Yannig-Hedel_Heures-Blanches-29_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776733333-3J4US6VH6V6VCH40KPTS/Yannig-Hedel_Heures-Blanches-14_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776733485-POLSQYY1K1FISM4IDGYQ/Yannig-Hedel_Heures-Blanches-16_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548776778938-D701PNF1RTKUXKDWT6II/Yannig-Hedel_Monolithe-1-2-3_Courtesy+Galerie-Thierry-Bigaignon_LD.jpg</image:loc>
      <image:title>Yannig Hedel • Quarter Past Twelve</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/renato-d-agostin-7439</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548858554241-8VHISNFZBTSXBV0WP4VC/Renato+D%27Agostin_7439_Las+Vegas%2C+Nevada_Courtesy+Galerie+Thiery+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523019975415-EASJN3KSR8JV6KSB2RT1/Renato+D%27Agostin%2C+%227439%22</image:loc>
      <image:title>Renato D'Agostin •  7439</image:title>
      <image:caption>Renato D'Agostin, "7439"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052297359-H1DAFGXFED8GTRUSRBKO/Renato+D%27Agostin_7439_Alabama_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Alabama » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052318413-8EBABX9U7M9S6B5RZ661/Renato+D%27Agostin_7439_Death+Valley%2C+California-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Death Valley, California, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052297935-YWIAZPF4ZQAVASKOK38C/Renato+D%27Agostin_7439_Antelope+Canyon%2C+Arizona_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Antelope Canyon, Arizona » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052330587-XBU7JUH3AVBDO5C8HQLL/Renato+D%27Agostin_7439_Grand+Canyon%2C+Arizona-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Grand Canyon, Arizona, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052305800-NANV1D76GM5Q740EHPUV/Renato+D%27Agostin_7439_Birmingham+Civil+Rights+Institute%2C+Alabama_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Birmingham Civil Rights Institute, Alabama » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052336355-EBZR9M1Q7AWCRF83EKEP/Renato+D%27Agostin_7439_Houston%2C+Texas-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Houston, Texas, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052369645-28MKMYBRXRCWG75MZUJ4/Renato+D%27Agostin_7439_Niagara+Falls%2C+New+York-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Niagara Falls, New York, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052351784-5WY5OKGU115JV37BAO67/Renato+D%27Agostin_7439_Idianapolis+Motor+Speedway%2C+Indiana-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Indianapolis Motor Speedway, Indiana, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052353357-Z8VHDIJ36MJ5YH4RKAIS/Renato+D%27Agostin_7439_Las+Vegas%2C+Nevada_Courtesy+Galerie+Thiery+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Las Vegas, Nevada » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052359942-6T6ATXQYI1KMYSJ3I8Y7/Renato+D%27Agostin_7439_Los+Angeles_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Los Angeles, California » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052388094-VJT0DV9P3G9R7SRM79B6/Renato+D%27Agostin_7439_Santa+Fe_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Santa Fe » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052394007-8LA3OCJ7K4J1TA0RY8LL/Renato+D%27Agostin_7439_White+Sands%2C+New+Mexico-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « White Sands, New Mexico, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052392285-YZ7ASLU1FPDRDBM34DMA/Renato+D%27Agostin_7439_White+Sands+Missile+Range%2C+New+Mexico_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « White Sands Missile Range, New Mexico » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052395537-X2Z773R1I3RI1PKL093B/Renato+D%27Agostin_7439_White+Sands%2C+New+Mexico-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « White Sands, New Mexico, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052305731-UYJZEHXJQEMADNA6XCM9/Renato+D%27Agostin_7439_Death+Valley%2C+California-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Death Valley, California, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052318268-NHQFEA9HSFXMUK7BFOPE/Renato+D%27Agostin_7439_Detroit%2C+Michigan-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Detroit, Michigan, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052325050-YV51PW075LXU6SNB6P9S/Renato+D%27Agostin_7439_Detroit%2C+Michigan-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Detroit, Michigan, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052325187-NH0GCFJE3VEYL8E1GJJR/Renato+D%27Agostin_7439_Detroit%2C+Michigan-3_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Detroit, Michigan, #3 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052333880-LS4FE47ZTVPK7Q7S2WHK/Renato+D%27Agostin_7439_Grand+Canyon%2C+Arizona-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Grand Canyon, Arizona, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052335924-2D37ICHJOQ8GYKF9I0HN/Renato+D%27Agostin_7439_Horseshoe+Bend%2C+Arizona_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Horseshoe Bend, Arizona » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052344071-37KY6YNTAKPO70QM3KD2/Renato+D%27Agostin_7439_Houston%2C+Texas-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Houston, Texas, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052340921-POWSI21BS7KGMZ2AGOCG/Renato+D%27Agostin_7439_Idianapolis+Motor+Speedway%2C+Indiana-1_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Indianapolis Motor Speedway, Indiana, #1 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052348713-85GQALQQ6XUAMDWIJ3DK/Renato+D%27Agostin_7439_Judd+Foundation%2C+Marfa%2C+Texas_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Judd Foundation, Marfa, Texas » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1503052369776-L6NF6V0AEY358NMW1N0Q/Renato+D%27Agostin_7439_Niagara+Falls%2C+New+York-2_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of « Niagara Falls, New York, #2 » by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523020176590-4O7RGUVG7V7QT5WJ63AO/Renato+D%27Agostin_7439_Orderville%2C+Utah-1-2-3_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin •  7439 - Copy of "Orderville, Utah - Triptych",  by Renato D'Agostin</image:title>
      <image:caption>The series « 7439 » by Renato D’Agostin was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in May-September 2017. No American road trip looms larger in our collective consciousness than the one bound west, and has been both the favorite subject and a formidable challenge for most artists, from Robert Frank to Jack Kerouac. In 2015, Italian-born photographer Renato D’Agostin took the challenge and travelled the 7,439 miles from New York to Los Angeles on his 1983 BMW motorcycle, developing film in hotel sinks along the way. This initiatic journey gave rise to a series of bright and contrasted images, overwhelming with beauty, subtlety and grace, entitled "7439".</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine</image:title>
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      <image:title>Vittoria Gerardi • Confine</image:title>
      <image:caption>Vittoria Gerardi, "Confine"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022891596-W7FNVJU336RSI2V4C6SN/Vittoria+Gerardi_Confine_54_55_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022892405-U1S81CZO3Z7NG6JYCMP2/Vittoria+Gerardi_Confine_55_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022892405-9XH3JHJWVZFSJWN9G9QD/Vittoria+Gerardi_Confine_64_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022895557-GD9JZXPH26TCFW3USL98/Vittoria+Gerardi_Confine_77_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022895450-O6D76XI2O4K9A725EUTX/Vittoria+Gerardi_Confine_91_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022898727-LJ2T0IYOJ3VK1J8BHXTD/Vittoria+Gerardi_Confine_116_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022901449-ZN73U4R3TY2FCPWTXWX7/Vittoria+Gerardi_Confine_132_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022900397-73I17XPFQB28SI3270QY/Vittoria+Gerardi_Confine_170_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022927666-M104A5IM31IPKX4KFHOL/Vittoria+Gerardi_Confine_256_Courtesy+Galerie+Thierry+Bigaignon+copy.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022931202-R20IH21HFPO1REHE2XWR/Vittoria+Gerardi_Confine_257_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022935007-5D1GKZ1L39QP4LQ65I92/Vittoria+Gerardi_Confine_271_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022937542-QCM44KJR1GW3E5OH0F03/Vittoria+Gerardi_Confine_292-293_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022938287-WJJ5ZL536LBCN9PS5NZ3/Vittoria+Gerardi_Confine_295_296_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523022939700-KH9XYLDLJUU60DMD9KYN/Vittoria+Gerardi_Confine_Untitled_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Confine - Copy of "Confine" by Vittoria Gerardi</image:title>
      <image:caption>In Confine, Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/catherine-balet-looking-for-the-masters-in-ricardo-s-golden-shoes</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548780761888-3S50BXL9S2IO608SE3M2/BALET_MASTERS+17.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523014870122-QOWQK535LV3120TYVH7F/Catherine+Balet%2C+%22Looking+for+the+Masters+in+Ricardo%27s+Golden+Shoes%22</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes</image:title>
      <image:caption>Catherine Balet, "Looking for the Masters in Ricardo's Golden Shoes"</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862760589-31AZXHCHOCL9ZECUQF27/BALET_MASTERS+01.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #1 (Tribute to Robert CORNELIUS, Self-Portrait, 1839) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862761310-3T0BZ0FBZGSNOXAQEEA5/BALET_MASTERS+02.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes # 2 (Tribute to Guillaume-Benjamin DUCHENNE DE BOULOGNE, Duchenne and his patient, 1862) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862765280-5SVET4Y3SLABZAB4AX6N/BALET_MASTERS+03.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #3 (Tribute to NADAR, George Sand, 1864) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #4 (Tribute to Julia Margaret CAMERON, The parting of Sir Lancelot and Queen Guinevere, 1874) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #5 (Tribute to Edward MUYBRIDGE, Man ascending stairs, 1887) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862767172-VMAHLFCLJVWOB2Z78ZHC/BALET_MASTERS+06.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #6 (Tribute to Albert LONDE, Radiographie négative d'un pied chaussé Aristotype, 1897-98) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #7 (Tribute to Jacques Henri LARTIGUE, Bichonnade Leaping, Paris, 1905) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862771576-D0MNPXE6WD256IAT1A6P/BALET_MASTERS+08.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #8 (Tribute to Eugène ATGET, Passage du Grand-Cerf, 1907) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862773389-68MUOEZ2TYQ4JOXB5F1A/BALET_MASTERS+09.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #9 (Tribute to August SANDER, Young Farmers, 1914) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862773940-KIQ6YTLII07IDBK4VTKI/BALET_MASTERS+10.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #10 (Tribute to Paul STRAND, Blind woman, New York, 1916) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862775424-ORBKME7SSOSCGV6MPPT2/BALET_MASTERS+11.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #11 (Tribute to Stanislaw Ignacy WITKIEWICZ, Multiple self-portrait in mirrors, 1915-1917) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #12 (Tribute to Edward Sheriff CURTIS, North American Indian, 1907-1930) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #13 (Tribute to Alfred STIEGLITZ, Georgia O'Keeffe, Hands, 1918) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #14 (Tribute to Lewis HINE, Power house mechanic working on steam pump, 1920) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #15 (Tribute to Alexander RODCHENKO, Portrait of Mother, 1924) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #16 (Tribute to Edward STEICHEN, Gloria Swanson, 1924) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862783315-QZZWS13ORFQ6HBZFR3ZX/BALET_MASTERS+17.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #17 (Tribute to Man RAY, Black and white, 1926) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #19 (Tribute to Berenice ABBOTT, James Joyce, 1928) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #18 (Tribute to Tina MODOTTI, Hands Resting on Tool, 1927) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #20 (Tribute to Claude CAHUN, Que me veux tu, 1928) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #22 (Tribute to Ilse BING, Self-Portrait in Mirrors, 1931) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's self</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #23 (Tribute to BRASSAÏ, La Môme Bijou at the Bar de la Lune, Montmartre, 1932) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #24 (Tribute to Henri CARTIER-BRESSON, Bruxelles, 1932) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #25 (Tribute to Wanda WULZ, Io + Gatto, 1932) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #26 (Tribute to André KERTESZ, Distortion, 1933) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #27 (Tribute to Robert CAPA, Death of a Loyalist Soldier, 1936) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #28 (Tribute to Edward WESTON, Nude, 1936) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #29 (Tribute to Horst P. HORST, Mainbocher Corset, 1939) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862801198-HG7T9E2FC1FMHO7XFKIF/BALET_MASTERS+29.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #30 (Criminal photography) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #31 (Tribute to Dorothea LANGE, Migratory cotton picker, Eloy, Arizona, 1940) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #32 (Tribute to Gordon PARKS, American Gothic, 1942) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #33 (Tribute to WEEGEE, Drunken man, 1940-45) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #34 (Tribute to Irving PENN, Igor Stravinsky, 1948) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #35 (Tribute to Shoji UEDA, Theatre of the dunes, 1949) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #36 (Tribute to Lisette MODEL, Woman with Veil, San Francisco, 1949) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #37 (Tribute to Gary WINOGRAND, Untitled, 1950s) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #38 (Tribute to Robert DOISNEAU, Kiss by the Hôtel de Ville, 1950) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of  « Looking for the Masters in Ricardo's Golden Shoes #39 (Tribute to Andreas FEININGER, The photographer, Dennis Stock, 1951) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #40 (Tribute to Robert DOISNEAU, Picasso and the loaves, 1952) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #41 (Tribute to Willy RONIS, The Little Parisian, 1952) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #42 (Tribute to Erwin BLUMENFELD, Vogue, 1952) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #43 (Tribute to Arnold NEWMAN, Pablo Picasso, 1954) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #44 (Tribute to Marc RIBOUT, Eiffel Tower Painter, 1953) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #45 (Tribute to Bill BRANDT, Portrait of a Young Girl, Eaton Place, 1955) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #46 (Tribute to Robert FRANK, Political Rally, 1956) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #47 (Tribute to Irving PENN, Picasso, Cannes, 1957) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #48 (Tribute to Philippe HALSMAN, Aldous Huxley, 1958) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #49 (Tribute to Saul LEITER, Paris, 1959) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #50 (Tribute to Lucien Clergue, Jean Cocteau à la cigarette, Les Baux de Provence, 1959) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #51 (Tribute to Mario GIACOMELLI, I pretini, 1961-1963) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862839502-LYS9R27IKDQEHUST1Y2H/BALET_MASTERS+51.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #52 (Tribute to William KLEIN, Moscow, 1964) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862839476-U9WZUBXCOR3BD0LM5KGN/BALET_MASTERS+52.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #53 (Tribute to Diane ARBUS, A Young Man in Curlers at Home on West 20th Street, New York, 1966) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862844262-BRUII1SYM0XVQE7PUC58/BALET_MASTERS+53.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #54 (Tribute to Malik SIDIBE) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #55 (Tribute to Anders PETERSEN, Café Lehmitz, 1967-1970) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #57 (Tribute to Studio FOUAD, Beyrouth / Liban, 1960-1970) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #58 (Tribute to William EGGLESTON, Huntsville, Alabama, 1970) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862849824-MCT9X92PUNJT18S304CX/BALET_MASTERS+57.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #59 (Photomaton) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #60 (Tribute to Duane MICHALS, Chance meeting, 1970) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #61 (Tribute to Josef KOUDELKA, Gypsies, Brittany, 1973) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862854018-KF7STAPC0HKTPBO8ANIH/BALET_MASTERS+60.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #62 (PAPARAZZI) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #63 (Tribute to Helmut NEWTON, YSL, French Vogue, Rue Aubriot, Paris, 1975) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #64 (Tribute to Helmut NEWTON,  YSL, French Vogue, Rue Aubriot, Paris, 1975) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #65 (Tribute to Chris KILLIP, Youth on wall, Jarrow, Tyneside, 1976) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #66 (Tribute to Guy BOURDIN, A message for you, Charles Jourdan, Spring 1978) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #67 (Tribute to Raymond Depardon, San Clemente, 1979) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #68 (Tribute to Chris STEELE-PERKINS, The Teds, 1979) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #69 (Tribute to Annie LEIBOVITZ, John Lennon &amp; Yoko Ono, New York, 1980) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #70 (Tribute to Andy WARHOL, Self Portrait in Drag, Polaroid, 1981) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #71 (Tribute to Richard AVEDON, Ronald Fisher, Beekeeper, Davis, California, May 9, 1981) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #72 (Tribute to David HOCKNEY, Nicholas Wilder studying Picasso, Los Angeles, 24 March 1982) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #73 (Tribute to Nan GOLDIN, Nan and Brian in bed, New York 1983) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #74 (Tribute to Robert MAPPLETHORPE, Ken Moody and Robert Sherman, 1984) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #75 (Tribute to Graciela ITURBIDE, Señor de los Pajaros, Nayarit, 1985) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862875311-U4JJJMMJYK1VY58ZHELE/BALET_MASTERS+74.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #76 (Tribute to Joel STERNFELD, A Man on the Banks of the Mississippi, Baton Rouge, Louisiana, 1985) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #77 (Tribute to Daido MORIYAMA, Tights, 1986) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862878216-DMT4O6GUZAQD798P3C3L/BALET_MASTERS+76.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #78 (Tribute to Elliot ERWITT, Paris, 1989) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #79 (Tribute to Sebastiao SALGADO, Coal mine, Dhanbad, 1989) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #80 (Tribute to Thomas STRUTH, Museum Photographs, 1989) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #81 (Tribute to Larry CLARK, 1990) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #82 (Tribute to Thomas RUFF, 1989-91) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862885795-MNXEMSNJ8H73N87YH8KF/BALET_MASTERS+81.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #83 (Tribute to Arno Rafael MINKKINEN) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862885852-MY2G6FYWA1JY4KG0VSBK/BALET_MASTERS+82.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #84 (Tribute to Rineke DIJKSTRA, 1992) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #85 (Tribute to Gillian WEARING, 'I'm desperate', 1992-93) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #86 (Tribute to Philip-Lorca DICORCIA, Japan, 1994) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #87 (Tribute to Edouard BOUBAT, Remi listening to the sea, Paris, 1995) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #88 (Tribute to Sarah MOON, Teresa Stewart for Issey Miyake, 1995) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #89 (Tribute to PIERRE &amp; GILLES, La tentation d'Adam, 1996) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862893437-I2GUKQSNU8CSCDX73DDX/BALET_MASTERS+88.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #90 (Tribute to Nobuyoshi ARAKI) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #91 (Tribute to Cindy SHERMAN, Untitled # 397, 2000) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #92 (Tribute to Martin PARR, Beach) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862900989-QM489YE9J8F8NKPS5WU0/BALET_MASTERS+91.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #93 (Tribute to Martin PARR, Luxury) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #94 (Tribute to Gilbert GARCIN, The witness, 2002) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #95 (Tribute to Antoine D'AGATA, Nuevo Laredo, 2005) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #96 (Tribute to John STEZAKER, Marriage, 2006) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #97 (Tribute to Pieter HUGO, There's a Place in Hell for Me and My Friends, 2011) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862905901-L2BP7UB3AFJT0VQ4GLJM/BALET_MASTERS+96.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #98 (Tribute to Li WEI, 2011) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #99 (Tribute to Erik KESSELS, Album Beauty, 2012) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862907639-YAJ3Z21ZM0KRF7NCSZBW/BALET_MASTERS+98.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #100 (Tribute to OPALKA and others, Time lapse) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862909431-ZCPBBGX97QVSPEQCSWIC/BALET_MASTERS+99.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #101 (Tribute to Idrid KAHN and others, Superimposition) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862910715-RM13VNIKNCUQ2O0GMAMC/BALET_MASTERS+100.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #102 (Levitation trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862913067-VM0MHFYUYSVCYNT3QO4I/BALET_MASTERS+101.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #103 (Trash trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862913216-3QISM2KO8NBBATU52BPJ/BALET_MASTERS+102.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #104 (Google Street photography) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862915851-C4G71VXJZTSYKXNFFMA4/BALET_MASTERS+103.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #105 (Google Street photography) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862915002-LL8QUX9RTV5UW5CZ4R3N/BALET_MASTERS+104.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #106 (Pixel trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862918363-F05V6O8E6UV1NVY5DXY1/BALET_MASTERS+105.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #107 (Vintage trend School photography) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862918013-OLRXLBPD9CMUNSTLEHLQ/BALET_MASTERS+106.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #108 (Trend of an object on a vintage print) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862925621-QMCH9KYZJQZC97Y6KPM5/BALET_MASTERS+107.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #109 (Flowers on flowers + Twins trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862921798-XMQDXU9PH0LC95RHVILK/BALET_MASTERS+110.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #110 (Trend of hair hiding face) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862924820-95LHBQKR1NB0XXFSHB4D/BALET_MASTERS+111.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #111 (Pullover fashion trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862926735-ZEZ0TFNA7O960Z2KPH0T/BALET_MASTERS+112.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #112 (Negative trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862928304-B7MZ4IQA1DJOJT9I9VH6/BALET_MASTERS+113.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #113 (Abandoned Places trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862931002-3ZUI5CXVSGKIPMOT0GCY/BALET_MASTERS+114.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #114 (Still Life trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862931374-2AJK2PZHKUIML0KSAWO0/BALET_MASTERS+115.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #115 (Animal head mask trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862934328-EMAKPND8JVQAQJB7RMKN/BALET_MASTERS+116.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #116 (Lost identity / Hole in the face trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862934569-AZPM90I2PG49XB6Y9UVL/BALET_MASTERS+117.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #117 (Instagram selfie) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862938441-QI26SNQSHG3GWTPDSMLH/BALET_MASTERS+118.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #118 (Collage trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862938549-HAHO0F6B2WGSXXKXEDNH/BALET_MASTERS+119.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #119 (Scrapbooking trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862939658-R5MILMUTHISTEDXO6SP5/BALET_MASTERS+120.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #120 (Damaged vintage portrait trend) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862941223-LG4RILBMH2HP35TDMSO5/BALET_MASTERS+121.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #21 (Tribute to Hannah, HÖCH, Russian dancer / My double, 1928) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487862941846-R1GRIFZS64MUJRQ6LCDG/BALET_MASTERS+122.jpg</image:loc>
      <image:title>Catherine Balet • Looking for the Masters in Ricardo's Golden Shoes - Copy of « Looking for the Masters in Ricardo's Golden Shoes #56 (Tribute to Lee FRIEDLANDER, Little Screens, 1960s) » by Catherine Balet</image:title>
      <image:caption>The series « Looking for the Masters in Ricardo's Golden Shoes » by Catherine Balet was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in September-October 2016. French artist Catherine Balet, pays tribute to the great masters of photography by revisiting 176 years of photography. It all began in 2013, one summer morning in Arles, during the famous photography festival Les Rencontres photographiques. Ricardo Martinez Paz, as a young dandy aged 76, whose resemblance to Picasso is striking, is seated before bread rolls. He's wearing a sailor stripe jersey and his look is somewhat evasive. Catherine Balet stares at him and immediately thinks of the famous photograph of Picasso by Robert Doisneau. She grabs her camera and immortalises the very moment that would trigger her irresistible desire to go further. Two and a half years of intensive work will follow, leading these two friends to explore the whole history of photography, from the first self-portrait by Robert Cornelius in 1839 to today's selfies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/amelie-labourdette-empire-of-dust</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548779069440-1X61XJFQZAZOQGRD11V7/GTB_Amelie-Labourette_Empire-of-Dust_1_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023474577-6JUIYJ8ZE41NUX5KN2JD/Am%C3%A9lie+Labourdette%2C+%22Empire+of+Dust%22</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust</image:title>
      <image:caption>Amélie Labourdette, "Empire of Dust"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046737118-5U74FWRMSPVJL1L8T6W2/GTB_Amelie-Labourette_Empire-of-Dust_1_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #1 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046737610-0732FYH16ITHI03P3EBF/GTB_Amelie-Labourette_Empire-of-Dust_2_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #4 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046745393-RJN0B5ZV7DHKCOENNI1P/GTB_Amelie-Labourette_Empire-of-Dust_3_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #6 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046746234-41JGBJHRN3HI1OWB131E/GTB_Amelie-Labourette_Empire-of-Dust_4_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #3 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046748367-KUFXU8HRIDVJ0GXEJ1P9/GTB_Amelie-Labourette_Empire-of-Dust_5_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #8» by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046753340-E7NREPCG9TYWAQ0FSS1W/GTB_Amelie-Labourette_Empire-of-Dust_6_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #17 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046754429-8OEOD6A292DVNHPOHPYG/GTB_Amelie-Labourette_Empire-of-Dust_7_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #12 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046762650-RKZRAVHRS0HL1N8O1Y27/GTB_Amelie-Labourette_Empire-of-Dust_8_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #13 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046762804-KSZCI98SMQ7VYBVZ2FBS/GTB_Amelie-Labourette_Empire-of-Dust_9_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #9 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046768174-HKQZUNMMIKMNHM161MRG/GTB_Amelie-Labourette_Empire-of-Dust_10_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of « Empire of Dust #18 » by Amélie Labourdette</image:title>
      <image:caption>The series « Empire of Dust » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017. ARCHEOLOGY OF THE PRESENT The series Empire of Dust by French artist Amélie Labourdette explores the many layers of human history through the social and aesthetic characteristics of a landscape pock-marked by ecomostri: unfinished concrete giants erected in the hollow of a valley, or on the side of a hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046819272-4Q1CNISR2K906Z4GR3HT/GTB_Amelie-Labourette_Empire-of-Dust_Drawing1_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of "State of possible #1" by Amélie Labourdette</image:title>
      <image:caption>The series « State of possible » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017.   Series of drawing, currently in progress. This drawings series State of possible, comes from a photographic project I never could realise because censored by the « State » where I needed to carry out it. My project was to make a photographic series in the territory of Abkh zia, taking to object un nished sanatoriums, « stations » of the Soviet era scattered on the Black Sea coast. During a civil war in 1992-1993,Abkhazia seceded from the Georgia state at which it was attached.This small land piece situated midway between Europe and Asia, is a selfproclaimed state, not recognized, inside another state. « Non-place », « no man’s land », it’s a « State » that doesn’t exist but which is nevertheless there : a suspended entity in an « uncertainty state », an « indeterminacy state ». And it is precisely this conjunction of reality « undetermined » of these sanatoriums and this « State », that interested me. Unfortunately, the Ministry of Foreign Affairs of the Republic of Abkhazia expressly forbidden me, refusing to give me more details and no possible reversal of their decision, to realize this photographic project in their territory under penalty having problems with local authorities. So I decided to incorporate this censorship to my work realizing at drawing, these strange and un nished buildings with monumental forms speci c to brutalism, stigmas of our recent history, but that I could never capture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1514046818355-A8BZRXC9EJPAHG58Q269/GTB_Amelie-Labourette_Empire-of-Dust_Drawing2_Courtesy-Galerie-Thierry-Bigaignon_LR.jpg</image:loc>
      <image:title>Amélie Labourdette • Empire of Dust - Copy of "State of possible #2" by Amélie Labourdette</image:title>
      <image:caption>The series « State of possible » by Amélie Labourdette was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2017.   Series of drawing, currently in progress. This drawings series State of possible, comes from a photographic project I never could realise because censored by the « State » where I needed to carry out it. My project was to make a photographic series in the territory of Abkh zia, taking to object un nished sanatoriums, « stations » of the Soviet era scattered on the Black Sea coast. During a civil war in 1992-1993,Abkhazia seceded from the Georgia state at which it was attached.This small land piece situated midway between Europe and Asia, is a selfproclaimed state, not recognized, inside another state. « Non-place », « no man’s land », it’s a « State » that doesn’t exist but which is nevertheless there : a suspended entity in an « uncertainty state », an « indeterminacy state ». And it is precisely this conjunction of reality « undetermined » of these sanatoriums and this « State », that interested me. Unfortunately, the Ministry of Foreign Affairs of the Republic of Abkhazia expressly forbidden me, refusing to give me more details and no possible reversal of their decision, to realize this photographic project in their territory under penalty having problems with local authorities. So I decided to incorporate this censorship to my work realizing at drawing, these strange and un nished buildings with monumental forms speci c to brutalism, stigmas of our recent history, but that I could never capture.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/harold-feinstein-graciously-yours</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548780093916-ELYOE95THFI1O6CPCD1V/Harold_Feinstein_Window_Washer_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1525351404846-61VIU8QSH9ZLTV0UE5SI/Harold+Feinstein%2C+Graciously+Yours</image:loc>
      <image:title>Harold Feisntein • Graciously Yours</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555593653-TPNO0CMWOAU1V10OKWD4/Harold_Feinstein_About_to_Jump_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of About to Jump (Coney Island, New York), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555596980-7UZK4KLS7WVO5J609PGB/Harold_Feinstein_Beauty_Parlor_Window_1964_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Beauty Parlor Window (Philadelphia, Pennsylvania), 1964</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555598484-Q7IJ8ZFKG52JFZHU8CCI/Harold_Feinstein_Black_Hands_and_Back_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Black Hands on Back (Coney Island, New York), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555604365-6WAZW86MXAN08HOW7PU1/Harold_Feinstein_Four_Torsos_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Four Torsos (Shelter Island, New York), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555605073-JAGD0W3CFBB4CQFU8JV2/Harold_Feinstein_Grants_Counter_Man_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Grants Counter Man (New York, NY), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555608583-BCB54NVYVCKHYQB5XD0B/Harold_Feinstein_Greta_Garbo_Movie_Poster_1966_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Greta Garbo Movie Poster (New York, NY), 1966</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555613756-1KPMLAAX0JOE3QA148N4/Harold_Feinstein_Lady_of_the_Lake_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Lady in the Lake (Putney, Vermont), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555615541-5W9F42CT7TM0PSC24QZM/Harold_Feinstein_Man_Smoking_in_Diner_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Man Smoking in Diner (New York, NY), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555620116-UDU59HLFMX9W60J40V3W/Harold_Feinstein_Shoe_Store_Window_1969_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Shoe Store Window (New York, NY), 1969</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555621525-F2NFYE8BKTSM4B6XDI9Z/Harold_Feinstein_Silhouettes+Water+Edge+Composition_1978_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Montage Silhouette Waters Edge (Coney Island, New York), 1978</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555625715-R3L9JHV18AIU9Z3XAVPV/Harold_Feinstein_Window_Washer_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Window Washer (New York), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555623624-9253NQTNKTZH7UJFU15I/Harold_Feinstein_Take_Your_Own_Photos_1978_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Take Your Own Photos (Coney Island, New York), 1978</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555592274-E3XSTDPCRHOKZ1YKFY6R/Harold_Feinstein_Ascending_the_Subway_Stairs_1970_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Ascending Subway Stairs (New York, NY), 1970</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555624888-ND2KFT6WYI8OUMGL7YFP/Harold_Feinstein_Stripes_and_Shadows_1988_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Stripes and Shadows (Ibiza, Spain), 1988</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555601996-62B0098TQD0WL0WZDL4C/Harold_Feinstein_Dancers_Arms_1970_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Dancers Arms (New York, NY), 1970</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555621524-B8TCDXY8CC27FBSDVDEE/Harold_Feinstein_Steeplechase_Pier_With_Twilight_Sparkles_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Steeplechase Pier with Twilight Sparkles (Coney Island, New York), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555612176-6RWG9S53XETEXNGINPYZ/Harold_Feinstein_Lacy_Legs_1969_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Lacy Legs (Coney Island, New York), 1969</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555602835-U79SFLEZFOCOQ2RDT35L/Harold_Feinstein_FollowYourHeart_1980_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Follow Your Heart (Coney Island, New York), 1978</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555599993-XMBXXDJEYLIBDEX54XII/Harold_Feinstein_Boy_Between_Subway_Cars_1977_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Boy Between Subway Cars (New York, NY), 1977</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555615822-UWTS4Q4X8VV7P1OLN2SE/Harold_Feinstein_Piano_Still_Life_1974_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Piano Still Life (Vermont), 1974</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1535555600263-KGTZQR1AUUEIOGSEU5CN/Harold_Feinstein_Breezy_Curtains_1978_Courtesy+Galerie_Thierry_Bigaignon.jpg</image:loc>
      <image:title>Harold Feisntein • Graciously Yours - Copy of Breezy Curtains (Vermont), 1978</image:title>
      <image:caption>After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon presented in 2018 the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988: A dive into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, that brings to light all the poetry and grace of an ever-changing city through engaging and magnetic black and white images.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/ralph-gibson-vu-imprvu</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548780001160-URX8BX69KFBNB83Y4RSM/GTB_Ralph-Gibson_Priest_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023353654-H8V3ZDLADS9XR69KZXUG/Ralph+Gibson%2C+%22Vu+Impr%C3%A9vu%22</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu</image:title>
      <image:caption>Ralph Gibson, "Vu Imprévu"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859902921-OOARXFJBO711KSFOLBCX/GTB_Ralph-Gibson_Arab-Feluca_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibon, Arab Feluca</image:title>
      <image:caption>Ralph Gibson Arab Feluca, 1990-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859903589-RFF8KFTBN3ZK6I75VFI8/GTB_Ralph-Gibson_Beauty-Parlor_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Beautiful Parlor</image:title>
      <image:caption>Ralph Gibson Beautiful Parlor, 1968-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859904347-7MVUVT72GPD0X8X40NG4/GTB_Ralph-Gibson_Capri-Diver_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Capri Diver</image:title>
      <image:caption>Ralph Gibson Capri Diver, 1983-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859905169-LKW14E5ZH3RBPZXCII3L/GTB_Ralph-Gibson_Cloud_LR.jpeg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Cloud</image:title>
      <image:caption>Ralph Gibson Cloud, 1972-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859905414-MRNECDTHT0GLB4K579AD/GTB_Ralph-Gibson_Cowboy-Clark_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Cowboy Clark</image:title>
      <image:caption>Ralph Gibson Cowboy Clark, 1972-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859906025-L75OM4JGUSW219AG94RZ/GTB_Ralph-Gibson_French-Game_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, French Game</image:title>
      <image:caption>Ralph Gibson French Game, 1986-2017 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859906584-9GK07MSYMXW7FVU3Q0B5/GTB_Ralph-Gibson_Jamaica_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Jamaica</image:title>
      <image:caption>Ralph Gibson Jamaica, 1974-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  30.5 x 40.6 cm (12 x 16 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859912732-K8ET6QH2ONFJBHYIEFSS/GTB_Ralph-Gibson_Le-Bateau_LR.png</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Le Bateau</image:title>
      <image:caption>Ralph Gibson Le Bateau, 1969-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859907882-R8YFXOD15BU2U2G1BY6C/GTB_Ralph-Gibson_Legs_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Carioca</image:title>
      <image:caption>Ralph Gibson Carioca, 1989-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859909588-AIXVMSWNHUMUGWQQHFFE/GTB_Ralph-Gibson_Man-in-Steam_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Ode to my Imperfections</image:title>
      <image:caption>Ralph Gibson Ode to my Imperfections, 1970-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859910301-9FGSYBLFNBDLEEZDA50N/GTB_Ralph-Gibson_Mary-Ellen_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Mary Ellen</image:title>
      <image:caption>Ralph Gibson Mary Ellen, 1969-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  30.5 x 40.6 cm (12 x 16 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859911786-IK0THVCI6TJY23WVKUT9/GTB_Ralph-Gibson_Priest_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Altar Boy</image:title>
      <image:caption>Ralph Gibson Altar Boy, 1975-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  30.5 x 40.6 cm (12 x 16 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859912732-K00M83VCFD5ARRUG7RXV/GTB_Ralph-Gibson_Swimmer_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, Swimmer</image:title>
      <image:caption>Ralph Gibson Swimmer, 1972-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1527859917540-GJV3G5R13W0ERZZ9A9TI/GTB_Ralph-Gibson_The-Perfect-Future_LR.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, Imprévu - Copy of Ralph Gibson, The Perfect Future</image:title>
      <image:caption>Ralph Gibson The Perfect Future, 1972-2018 Photograph signed, numbered and dated in pencil at verso + Ralph Gibson's hand-written signed musical score at verso of the frame. Special edition: original photograph &amp; music track composed, played and recorded by Ralph Gibson. Silver gelatin print with musical score and MP3 file.  40.6 x 30.5 cm (16 x 12 in) 52,2 x 42 x 3,5 cm with frame Edition of 3, #1/3</image:caption>
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    <lastmod>2022-02-10</lastmod>
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      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #77" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499529563-QZTR01A2YJLY7XYLK0NT/BD2.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #1" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499537783-JS5IZR2Y2H2Z9E2AAHAE/BD3.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #286" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499540160-4NUGZGOWST1TDZDS0I59/BD4.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #106" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499544293-COLUERCNXM8S1CBN7ZA7/BD5.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #94" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499546243-CCB8Z1ZEMDCPUB1FUJ2J/BD6.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #100" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487936004229-BA08WUV3IK6I5PN1YV54/BD18.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #41" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS #41 » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499552453-P2LP5XZLJ6VSRWHLMDDU/BD7.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #283" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499552358-FIPXG40D9UMS98LXV4Z0/BD8.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #216" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499559649-65RPEWHNXGNZSKK18GNY/BD9.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #4" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499561572-62ACPTTBOM4VVAQ5QL8Q/BD10.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #156" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487936002290-ORZHZGY565YSA1FFCEXE/BD15.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #7" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499566383-72GWXKIFD0F5NUA3H0MJ/BD11.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #51" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499568363-GMNR3AKOS5L5AJZYEORR/BD12.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #78" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499574166-3BJVLOTUQ4SDX50YH6LB/BD13.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #206" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487936002046-NY8A68HG4G2EUBLGG34X/BD16.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #24" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1487936003873-H5MPUTVARDK2JK8Y74JS/BD17.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #75" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1482499577746-0N7DENORS75NKZ8ECUEA/BD14.jpg</image:loc>
      <image:title>Alain Cornu • Sur Paris - Copy of "Sur Paris #247" by Alain Cornu</image:title>
      <image:caption>The series « SUR PARIS » by Alain Cornu was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in November-December 2016. Paris wouldn't be Paris without its distinctive rooftops: the most vivid and romantic symbols in the collective memory. We all have the images of shadows and rays of light escaping from a window at night. But Alain Cornu goes further than just portraying Paris. Following his own emotions and tightening up the frame he gives a draws our attention to singular details. With his keen eye, his tenacity and his artistic mastery, Alain Cornu offers his own definition of light, and reveals abstract and dreamlike landscapes. "A walk about Paris will provide lessons in history, beauty, and in the point of life", said Thomas Jefferson. An excursion onto Alain Cornu's rooftops will no doubt complete the lessons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/ralph-gibson-vertical-horizon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548781195980-V8EHZWDGCUGFQ85ODJYU/Vertical-Horizon_Cactus+Cloud.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023069842-8ZWI9V96UN75PF63GR10/Ralph+Gibson%2C+%22Vertical+Horizon%22</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon</image:title>
      <image:caption>Ralph Gibson, "Vertical Horizon"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1467583487962-5S4YC9AYNHYW6UI7D3CE/Vertical-Horizon_Cactus+Cloud.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #8 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1467583489143-UXBT9OJDKIOZH9DSWJ7R/Vertical-Horizon_Building-Madison.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #5 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1467583489281-6ZXDQL023CW9JNLD2MVI/Vertical-Horizon_Freeway-Diagonals.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #10 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836369738-FP66FVR2E0CW1W1ATTLG/Vertical-Horizon_Building-Night.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #11 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836375209-IDAI9EY4ES0R0P6BEZ4Z/Vertical-Horizon_Leaves.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #2 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1467583490587-ELKNFD7D9BPXOXXHDJQ9/Vertical-Horizon_Sidewalk-Red.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #3 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836619704-203ZWX1WKSNPY44NRBDN/Vertical-Horizon_Blue-Palms.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #1 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836393719-58K5Y0AXHSMYRJF0BXJT/Vertical-Horizon_Snow-Sidewalk.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #9 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836381253-R89D2ZORK9C6QQ3XWWGL/Vertical-Horizon_Soho-Hotel.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #7 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836388366-IC0ES5KKNJKU5U52QDCI/Vertical-Horizon_Stairwell-Norway.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #6 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836459997-4ET3WHNU60D97U8I08DS/Vertical-Horizon_Teal.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #4 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1475836369739-W4PLHTK723LUAVUPYBK2/Vertical-Horizon_Firgate-Birds.jpg</image:loc>
      <image:title>Ralph Gibson • Vertical Horizon - Copy of « Vertical Horizon, Untitled #12 » by Ralph Gibson</image:title>
      <image:caption>The series « Vertical Horizon » by Ralph Gibson was shown at the GALERIE THIERRY BIGAIGNON (www.thierrybigaignon.com) in June-August 2016. Seventeen years after the retrospective dedicated to his work at the "Maison Européenne de la Photographie" in Paris, Ralph Gibson returned to the French capital with a selection of 12 never-before-seen color prints in a compelling departure from the black-and-white images for which he is celebrated. Primarily known for his high-contrast monochrome photographs, the famous American photographer has been exploring color since the advent of digital photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/harold-feinstein-contagious-optimism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548779951453-OTCDD8X8529LWKLKQRVJ/GTB_Harold_Feinstein_Seeking_Shade_1948.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523020252421-F2N3EY9KRFLZGS6CRO13/Harold+Feinstein%2C+%22Contagious+Optimism%22</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism</image:title>
      <image:caption>Harold Feinstein, "Contagious Optimism"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560242161-B9IRW1VQQGEL5M4QHODU/GTB_Harold_Feinstein__125th_Street_From_Elevated_Train_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "125th Street From Elevated Train" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560244174-MZJRBAZNEQD0I5FIKN0E/GTB_Harold_Feinstein_Bidding_Farewell_1952.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Bidding Farewell" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560245501-NZ4OUBST3YIS1Q7C8EU2/GTB_Harold_Feinstein_Boardwalk_Sheet_Music_Montage_1952.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boardwalk Sheet Music Montage" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560253179-V1ZYXMMZOM0N0NVAL1U6/GTB_Harold_Feinstein_Cramped_Quarters_1952.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Cramped Quarters"  by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560270389-5VXO6PL8B1W09DCCFSQM/GTB_Harold_Feinstein_Woman+Stepping+Out+of+Car_1946.png</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Woman Stepping Out of Car" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560243246-OJPUSFN98ON38YZIA4RG/GTB_Harold_Feinstein_Angled_Pier_with_Shadows_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Angled Pier with Shadows" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560270241-RPNIUMH02MEHMTWXKHWF/GTB_Harold_Feinstein_Young_Girl_in_Fur_Coat_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Young Girl in Fur Coat" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560266356-ZQSYC8UZ882NE6CMI5GZ/GTB_Harold_Feinstein_Two_Men_and_a_Boy_Contemplate_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Two Men and a Boy Contemplate" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560251611-0LS3VWOD7KNZX24BWESM/GTB_Harold_Feinstein_Broken_Christ_With_Children_Coney_Island_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Broken Christ with Children, Coney Island"  by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560267474-DOSK38UVUJDMYH1XYOOQ/GTB_Harold_Feinstein_View_From_Porthole_1952.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "View from Porthole" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560260455-JRCP1YDULCJ42LPK1MM8/GTB_Harold_Feinstein_Man_and_Wife_Drinking_Krueger_Beer_Coney_Island_1952.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Man and Wife Drinking Krueger Beer, Coney Island" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560247050-OKHQG6UBGSJ32W9J4GQ2/GTB_Harold_Feinstein_Boy_With_Chalk_Numbers_1955.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boy With Chalk Numbers" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560264980-QOIDQVUJUWG8FXP6ZF89/GTB_Harold_Feinstein_Times_Square_Lights_Reflected_on_Car_1953.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Times Square Lights Reflected on Car" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560262312-SYK7Z9JFEV9Q2168Q26U/GTB_Harold_Feinstein_Sheep_Under_Clouds_1957.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Sheep Under Clouds" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560261189-FJGLK1MB6KU0YLWT8OID/GTB_Harold_Feinstein_Seeking_Shade_1948.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Seeking Shade" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560267924-7XSB1BCCEVLUABX8PDDW/GTB_Harold_Feinstein_Watching_the_Gyro_1946.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of  "Watching the Gyro" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560246954-DO2GEK9UQ5R3UUDKG6SQ/GTB_Harold_Feinstein_Boardwalk_Stairs_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of  "Boardwalk Stairs" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560243610-JGJRTZ537FZ8S1S7HAWG/GTB_Harold_Feinstein_Asleep_on_the_Subway_Train_1947.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Asleep on the Subway Train" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560264731-41FE6LP9FE3ZB3CPU1ZI/GTB_Harold_Feinstein_Swimming_Hole_Peephole_1948.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Swimming Hole Peephole" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560248624-DYATE6Z2Q4HKQ7I5RKTH/GTB_Harold_Feinstein_Boy_With_Sunglasses_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boy with Sunglasses" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560254165-MTKKGNDAPPI2G0JMNW92/GTB_Harold_Feinstein_Four_Nuns_on_a_Bench_1947.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Four Nuns on a Bench" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560249832-0R4RK9OZO1MA03R7A9TF/GTB_Harold_Feinstein_Boys_Running_Into_Surf_1954.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boys Running Into Surf" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560249421-XVDR0CKL55DQMVQPJUXM/GTB_Harold_Feinstein_Boys_Diving_Into_Surf_1954.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boys Diving Into Surf" by Harold Feinstein</image:title>
      <image:caption>"THE EARLY YEARS (1940’S - 1950’S): CONTAGIOUS OPTIMISM" was shown at the GALERIE THIERRY BIGAIGNON (www.thi The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018.   The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism. errybigaignon.com) in February-April 2017. Harold Feinstein, the renaissance of a photography prodigy! When he died in June 2015 at the age of 84, the New York Times declared Harold Feinstein “one of the most accomplished recorders of the American experience.”  His work is owned by prestigious museums, corporations and private collectors, yet this great artist is practically unknown in Europe. Galerie Thierry Bigaignon aims to change that by presenting an exceptional retrospective of his work that will span several years — a first of its kind in Europe. As a representative of the so-called 'New York school of photography', Feinstein spent six decades photographing the streets of New York and became known for his appreciative and empathic portrayal of the human condition. Though his Coney Island work has been much celebrated, Feinstein's breadth and exposure is far greater, including a large body of classic street photography, nudes, portraits, still life and an intimate portrayal of the life of a conscripted soldier during the Korean War.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560248293-YJV5SMDSQ9N4F6ZT3UCD/GTB_Harold_Feinstein_Boy_With_Gumball_Machine_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Boy With Gumball Machine" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560251714-V816GSNQW3Q9DKC1L5GE/GTB_Harold_Feinstein_Coke_Sign_on_the_Boardwalk_1949.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Coke Sign on the Boardwalk" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560252806-85P7TWBD66QFHHW9O1V0/GTB_Harold_Feinstein_Coney_Island_Teenagers_1949.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Coney Island Teenagers" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560244574-8DBOTBCXXK74CPV633JO/GTB_Harold_Feinstein_Blanket_Toss_1955_Original.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Blanket Toss" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560255266-9X51POXE8VDQXWZ2E7Q8/GTB_Harold_Feinstein_Girl+Watching_1957.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Girl Watching" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560257501-ZCZIO8G9TCQB7W2S24BY/GTB_Harold_Feinstein_Girl_in_Harlem_Window_1954.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Girl in Harlem Window" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560258673-NSUTMVZJZAXM8F86Z9BL/GTB_Harold_Feinstein_Kids_Ride_the_Whip_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Kids Ride the Whip" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560260171-S250JUVT5TIU7NJQY3UI/GTB_Harold_Feinstein_Pigeons_1956.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Pigeons" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560263148-3NHLHNEDQGWGEY7UZZAZ/GTB_Harold_Feinstein_Sightseeing_Bus_NYC_1956.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Sightseeing Bus NYC" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560261825-SV0Z72PWS046N9D50YIG/GTB_Harold_Feinstein_Sharing_a_Public_Bench_1949.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Sharing a Public Bench" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560241891-E4ZKOYVRBPEDLGFZJE2D/GTB_Harold_Feinstein__W_Eugene_Smith_Portrait_1956.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "W. Eugene Smith Portrait" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1493560265530-2ECAYTYSZGSBR6GBWSGW/GTB_Harold_Feinstein_Two_Boys_on_Pier_1950.jpg</image:loc>
      <image:title>Harold Feinstein • Contagious Optimism - Copy of "Two boys on Pier" by Harold Feinstein</image:title>
      <image:caption>The exhibition "Contigious Optimism"  took place at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from February to April 2018. The gallery introduced Harold Feinstein's immeasurable talent and legacy to a new audience, preparing for his ‘renaissance’ in Europe through a retrospective that is to span over several years. The first part was dedicated to the early years of Harold Feinstein's work (1940’s and 1950’s) with a selection of black and white photographs full of humanist qualities and contagious optimism.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/thomas-paquet-fragments-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548779109997-WO9ILA2M8GW9O4WPPLEC/GTB_Thomas-Paquet_Fragments-1_Horizon%231_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023732218-0GHGAUSSFTQ80GY4PHNX/Thomas+Paquet%2C+%22Fragments+%231%22</image:loc>
      <image:title>Thomas Paquet • Fragments 1</image:title>
      <image:caption>Thomas Paquet, "Fragments #1"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023975070-8YFIBW0JUM9HMSRZK50P/GTB_Thomas-Paquet_Fragments-1_Horizon%231_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon #1" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023977357-C7CWHCBAQYDXDWXXZPX2/GTB_Thomas-Paquet_Fragments-1_Horizon%233_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon #2" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023939087-LRFSHUTRK37CVFRYCPRE/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%231_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #1" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023944885-JKHD9BNX3TRSWUXIZ4SD/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%232_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #2" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023946357-BO9B0DOA6VXU56OXQEL2/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%233_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #3" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023953539-993QBSJE66DWA8PAF1PV/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%234_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #4" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023955274-BXRB4BUTGXWJ9KPMVXEB/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%235_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #5" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023961106-RZMO3TXLI3QYT0I2H5R6/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%236_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #6" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023963748-QXNCVMXC0Y0P58QSDL5Y/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%237_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #7" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023968870-QIL5Y8TZ82WNPA0AAA81/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%238_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #8" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023972026-0YHF54OD96I12C550I3G/GTB_Thomas-Paquet_Fragments-1_Etude-pour-un-horizon%239_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Horizon, étude couleur #9" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1523023936651-7ZY3V0STY20796NQ64UV/GTB_Thomas-Paquet_Fragments-1_Eclipse%231_LR.jpg</image:loc>
      <image:title>Thomas Paquet • Fragments 1 - Copy of "Eclipse #1" by Thomas Paquet</image:title>
      <image:caption>The series « Fragments » by Thomas Paquet was shown at the Galerie Thierry Bigaignon (www.thierrybigaignon.com) from January to March 2018. Thomas Paquet's work revolves around the notion of space and time. He quietly explores with matter and envisages photography as an art which cannot be separated from its craft. As such, film is often at the core of his creation process and it is common for him to employ alternative techniques such as Polaroid, wet collodion prints or gum bichormate printing process. But most importantly his work is an invitation to go beyond our own expectations of reality, blurring the lines between science and poetry, materiality and abstraction, objectivity and subjectivity.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/tobi-wilkinson-gyuto</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1552579235663-CGI8B5144GQTGIEM6OTQ/Tobi-Wilkinson_GyutoSymbol+Of+Unattachment_Courtesy-Galerie-Thierry-Bigaignon.jpeg</image:loc>
      <image:title>Tobi Wilkinson • Gyuto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1542985367823-YEM566HP5L5D18O0OWTZ/Matters+that+Matters</image:loc>
      <image:title>Tobi Wilkinson • Gyuto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1542982310982-YKUWW5X5HR9FGCQ8UWBM/Tobi+Wilkinson%2C+%22Gyuto%22</image:loc>
      <image:title>Tobi Wilkinson • Gyuto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548777711099-SETHGAUBE6SVD9WILK4K/Tobi-Wilkinson_Gyuto-Within+The+Mind_Courtesy-Galerie-Thierry-Bigaignon.jpeg</image:loc>
      <image:title>Tobi Wilkinson • Gyuto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548777571667-P56P0FLDULHDXXAB91SP/Tobi-Wilkinson_Gyuto-Honorific_Courtesy-Galerie-Thierry-Bigaignon.jpeg</image:loc>
      <image:title>Tobi Wilkinson • Gyuto</image:title>
    </image:image>
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    <loc>https://bigaignon.com/renato-dagostin-harmony-of-chaos</loc>
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  <url>
    <loc>https://bigaignon.com/vittoria-gerardi-pompeii</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1571157481817-2EGAZRUP8IFC4NAOOYOE/Pompeii_walls_02_courtesyGalerieThierrBigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Vittoria Gerardi • Pompeii</image:title>
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      <image:title>Artists - Anne-Camille Allueva *</image:title>
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      <image:title>Artists - Lionel Bayol-Thémines</image:title>
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      <image:title>Artists - Renato D'Agostin *</image:title>
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      <image:title>Artists - Vittoria Gerardi *</image:title>
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      <image:title>Artists - Rachelle Bussières</image:title>
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      <image:title>Artists - Harold Feinstein *</image:title>
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      <image:title>Artists - Yannig Hedel *</image:title>
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      <image:title>Artists - Hideyuki Ishibashi *</image:title>
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      <image:title>Artists - Fernando Marante *</image:title>
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      <image:title>Artists - Rémi Noël *</image:title>
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      <image:title>Artists - James Howell *</image:title>
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    <lastmod>2026-03-03</lastmod>
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    </image:image>
    <image:image>
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      <image:title>Exhibitions - Fragments of Infinity • Hedel-Asse</image:title>
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      <image:title>Exhibitions - Matière Noire • Martin Désilets</image:title>
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      <image:title>Exhibitions - Nello Spazio • Group Show</image:title>
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      <image:title>Exhibitions - Col Tempo • Group Show</image:title>
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      <image:title>Exhibitions - And the sky will follow • Rachelle Bussières</image:title>
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      <image:title>Exhibitions - Squaring the Circle • Bruce Nauman</image:title>
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      <image:title>Exhibitions - Sotto la Luce • Group Show</image:title>
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      <image:title>Exhibitions - Albedo • Catherine Balet</image:title>
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      <image:title>Exhibitions - Vu, imprévu • Ralph Gibson</image:title>
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      <image:title>Exhibitions - Morandi's Books • Mary Ellen Bartley</image:title>
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      <image:title>Exhibitions - Oh Light! • Thomas Paquet</image:title>
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      <image:title>Exhibitions - Ligne(s) de mire • Group Show</image:title>
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      <image:title>Exhibitions - Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Exhibitions - What if it was... • Group Show</image:title>
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      <image:title>Exhibitions - Les Objectales • Denis Malartre</image:title>
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      <image:title>Exhibitions - Macadam 1963 • Bernar Venet</image:title>
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      <image:title>Exhibitions - The Fall of Icarus • Olivier Ratsi</image:title>
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      <image:title>Exhibitions - Gibson  •&amp;nbsp;Plossu</image:title>
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      <image:title>Exhibitions - Marking Time • Chris McCaw</image:title>
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      <image:title>Exhibitions - Latenza • Vittoria Gerardi</image:title>
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      <image:title>Exhibitions - At First Glance • Yannig Hedel</image:title>
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      <image:title>Exhibitions - This Too Shall Pass • Morvarid K</image:title>
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      <image:title>Exhibitions - Le Fixe et le Variable • Bernard Joubert</image:title>
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      <image:title>Exhibitions - A Black &amp;amp; White Journey • Summer Exhibition</image:title>
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      <image:title>Exhibitions - The Dialectic of the Shadow • Group Show</image:title>
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      <image:title>Exhibitions - Ballet Mécanique • Fernando Marante</image:title>
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      <image:title>Exhibitions - Rien n'échappe à la lumière • Thomas Paquet</image:title>
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      <image:title>Exhibitions - The Vanishing Dream • Group Show</image:title>
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      <image:title>Exhibitions - Chair de Temps • Group Show</image:title>
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      <image:title>Exhibitions - Revelation(s) •&amp;nbsp;Máté Dobokay</image:title>
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      <image:title>Exhibitions - Veni Etiam •&amp;nbsp;Renato D'Agostin</image:title>
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      <image:title>Exhibitions - Blue interlude • Capsule exhibition</image:title>
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      <image:title>Exhibitions - Endless  • Catherine Balet</image:title>
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      <image:title>Exhibitions - Radical Perspectives • Group Show</image:title>
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      <image:title>Exhibitions - Life as it was  • Harold Feinstein</image:title>
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      <image:title>Exhibitions - Echos  • Jean de Pomereu</image:title>
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      <image:title>Exhibitions - Passé Composé • Yannig Hedel</image:title>
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      <image:title>Exhibitions - Meanwhile • Thomas Paquet</image:title>
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      <image:title>Exhibitions - Dear America • Rémi Noël</image:title>
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      <image:title>Exhibitions - Le Bleu du Ciel • Édouard Taufenbach &amp;amp; Régis Campo</image:title>
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      <image:title>Exhibitions - The Suitcase • Irène Jonas</image:title>
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      <image:title>Exhibitions - The Somnambulist • Ralph Gibson</image:title>
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      <image:title>Exhibitions - United • Group Show</image:title>
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      <image:title>Exhibitions - Pietra di Luce •  Sabine Mirlesse</image:title>
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      <image:title>Exhibitions - Présage • Hideyuki Ishibashi</image:title>
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      <image:title>Exhibitions - Pompeii • Vittoria Gerardi</image:title>
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      <image:title>Exhibitions - Harmony of Chaos • Renato D'Agostin</image:title>
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      <image:title>Exhibitions - The body, infinitely • Henri Foucault</image:title>
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      <image:title>Exhibitions - Moods in a Room • Catherine Balet</image:title>
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      <image:title>Exhibitions - Gyuto • Tobi Wilkinson</image:title>
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      <image:title>Exhibitions - Memories • Group show</image:title>
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      <image:title>Exhibitions - Quarter past twelve • Yannig Hedel</image:title>
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      <image:title>Exhibitions - Graciously Yours • Harold Feinstein</image:title>
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      <image:title>Exhibitions - Vu, Imprévu • Ralph Gibson</image:title>
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      <image:title>Exhibitions - Fragments #1 • Thomas Paquet</image:title>
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      <image:title>Exhibitions - Empire of Dust • Amélie Labourdette</image:title>
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      <image:title>Exhibitions - Confine • Vittoria Gerardi</image:title>
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      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/34bc72d2-97d4-4aa1-9d6b-d1f1e2d11ea0/Capture+d%E2%80%99%C3%A9cran+2025-10-17+%C3%A0+13.10.20.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/978edb57-8297-4a8c-97a2-2c88fa61f437/paris-photo-logo2024.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/3b48e61b-3e23-4ddb-b969-adfd38c6f145/moderne-art-fair-logo-1-2.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b150157d-2977-4a56-b53e-4db96c8c8d82/Offscreen_logo.jpg</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1b80c642-b1c3-46b9-b8d5-7e68db11bbd4/Capture+d%E2%80%99%C3%A9cran+2024-03-23+%C3%A0+15.31.24.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/938497d4-b4ea-4464-b606-cd5417a98250/Capture+d%E2%80%99%C3%A9cran+2024-03-23+%C3%A0+15.21.06.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/8162d4d8-dec1-459e-aad3-620444ff30f9/image-asset.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/d2cf4f5f-b551-4035-ada2-e8fd57881288/%7Bb3c25f95-62f4-47f0-9e04-c9ab06364eb7%7D_Logo-Paris-Photo.jpg</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b150157d-2977-4a56-b53e-4db96c8c8d82/Offscreen_logo.jpg</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/8e9f82bf-8344-4ef7-80a3-659c677069f8/https---e1d3a574475c5ef2c803e8b7e787b75a.cdn.bubble.io-f1641550304467x712904538156726700-Unseen-01.jpg</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/3ae54ed1-f4bb-4577-8862-1445df0fa313/Art-Paris.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/bf7ce3bf-4943-477b-ad36-0d22467b5aed/Capture+d%E2%80%99%C3%A9cran+2022-11-05+%C3%A0+14.44.05.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/bd69c3e1-c5b4-4787-8bd6-d9d113055e79/Bigaignon_Paris-Photo-2021.png</image:loc>
      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Fairs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Hideyuki Ishibashi • Présage</image:title>
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      <image:title>Hideyuki Ishibashi • Présage</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage - Hideyuki Ishibashi, "Présage"</image:title>
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      <image:title>Hideyuki Ishibashi • Présage</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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    <image:image>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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    <image:image>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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      <image:title>Sabine Mirlesse • Pietra di Luce</image:title>
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    </image:image>
    <image:image>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:title>Group Show • Radical Perspectives</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811320402-6O87QA4EDZRWMMS0X5R5/Morvarid-K_YukoMoon04_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Morvarid K., YukoMoon 4, 2020</image:title>
      <image:caption>Inkjet print on Kozo archival paper with body imprint. 60 x 80 cm (23 5/8 x 31 1/2 in) Unique</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811505637-HSBY5MM6LASMKJ0EOFYU/MorvaridK_YukoMoon01.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - YukoMoon 1, day 1, 2020</image:title>
      <image:caption>Inkjet print on Kozo archival paper with body imprint. 40 x 60 cm (16 x 23 1/2 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811513424-LO8AAD6X13DISCQIDBAA/MorvaridK_YukoMoon09+copie.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Morvarid K., YukoMoon, day 18, 2020</image:title>
      <image:caption>Inkjet print on Kozo archival paper with body imprint. 40 x 60 cm (16 x 23 1/2 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811812094-G1OKFYLJEVT3F9JWIOZA/Alison-Rossiter_Kilborn-Acme-Kruxo-RDA_Courtesy-Alison-Rossiter.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Alison Rossiter, Kilbourn Acme Kruxo, , date d'expiration exacte inconnue, vers les années 1940, traité en 2013</image:title>
      <image:caption>Gelatin silver prin, Kilbourn Acme Kruxo, exact expiration date unknown, ca. 1940s, processed 2013 12.7 × 17.8 cm (5 × 7 in.) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811837207-64T0SXOUUL86ODNN7XMO/Fernando-Marante_Var50_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Fernando Marante, Planes Landing at Lisbon Airport, 2017</image:title>
      <image:caption>Pigment ink on Fine Art Hahnemühle PhotoRag Baryta paper 315gsm, mount- ed on aluminium composite, no glass image size: 136 x 76 cm (53 1/2 x 29 7/8 in) Edition of 3 + 1AP; 1/3</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811893351-LJDB67TUSFA8UVZMZB8B/FM_Var103_6372.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Fernando Marante, Variation 103, 2020</image:title>
      <image:caption>Photograph, Pigment ink on Fine Art Hahnemühle PhotoRag Baryta paper 315gsm 50 x 40 cms (19 1/2 x 16 inches) Hand made frame Edition of 3 + 1AP; 1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648811949221-QHYXI40KWPSLJDJV0Y8A/FM_Var140_8117c.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Fernando Marante, Variation 140, 2021</image:title>
      <image:caption>Photograph, Pigment ink on Fine Art Hahnemühle PhotoRag Baryta paper 315gsm 75 x 60 cms (29 1/2 x 23 1/2 inches) Hand made frame Edition of 3 + 1AP; 1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648824524546-WYYHKGK6H9YET2EKG1HX/Yannig-Hedel-Pelles-et-Volumes_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Group Show • Radical Perspectives - Yannig Hedel Ensemble Pelles et Volumes , 1989-1999</image:title>
      <image:caption>mixed technique: three silver gelatin prints made by the artist and three hand-made grey-tinted wooden sculptures Each print: 53.7 x 31.7 cm (21 1/2 x 12 1/2 in) Each Volume: 54 x 31.5 x 31.5 cm (21 1/2 x 12 1/2 x 12 1/2 in)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812292403-K6P1FIKVSHOOY001ND32/Vittoria-Gerardi_SR2021-26_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Vittoria Gerardi, Aletegrafia - "Satelliti Radicali" (Satellites radicaux) A.SR2021.27, 2021</image:title>
      <image:caption>Mixed technique: Silver gelatin print, developer, clay, wax, natural resin, blades of grass. Signed, titled and dated in pencil at verso. 92 x 75 cm (36 1/2 x 29 1/2 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812374260-1L197DKF6FJHI60QUU2Z/Morvarid-K_OpenSkies5_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Morvarid K, Open Sky 5, 2020</image:title>
      <image:caption>Inkjet print on archival paper Hahnemuhle Photo Rag 308gr 60 x 90 cm (23 5/8 x 35 3/8 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648824692683-E0217TN305OV7X2BR2CT/Thomas-Paquet_The-Observatory_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Thomas Paquet, The Observatory , 2022</image:title>
      <image:caption>Mixed technique: Steel, glass, PMMA, wood, led, electronic components 16 x 50 cm (6 1/4 x 19 3/4 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812568100-7P6KQ5G8MJTRE1NCBV0F/Lionel-Bayol-Th%C3%A9mines_Courtesy-Bigaignon.png</image:loc>
      <image:title>Group Show • Radical Perspectives - Lionel Bayol-Thémines, Low Space Oddity, Planet, Earth, 2020</image:title>
      <image:caption>Archival pigment print on Hanhemüle Baryta paper Framed: mounting on aluminium, black wooden frame and anti-reflective glass 187 x 150 cm (73 1/2 x 59 1/2 in) 1/1 + 1EA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812598931-X5J7CBT7XW28Z3IO8B4V/Aleksandra-Vajd_1_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Aleksandra Vajd Mistaken jealousy, 2019</image:title>
      <image:caption>B/W photogram on silver gelatin paper hand dyed (set of two papers) 30 x 40 cm (11 3/4 x 15 3/4 in) each edition of 3, each unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812644028-ZW62DPTP93LV26DRMGHM/Aleksandra-Vajd_3_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Aleksandra Vajd, The enigma , 2019</image:title>
      <image:caption>B/W photogram on silver gelatin paper (set of five papers) 30 x 40 cm (11 3/4 x 15 3/4 in) each edition of 3, each unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812645996-AVXFALTDTXG9APAHMFU1/Aleksandra-Vajd_2_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Group Show • Radical Perspectives - Aleksandra Vajd, An enemy loved, 2019</image:title>
      <image:caption>B/W photogram on silver gelatin paper hand dyed (set of three papers) 30 x 40 cm (11 3/4 x 15 3/4 in) each edition of 3, each unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812715108-AZQ287KS455PNAC5TJBJ/Vincent-Ballard_Something-Light_Courtesy-Bigaignon.png</image:loc>
      <image:title>Group Show • Radical Perspectives - Vincent Ballard, Something Light, 2021</image:title>
      <image:caption>Numbered and signed on the back of the frame Chromogenic prints Image size: 29 x 40 cm (11 3/8 x 15 3/4 in) each Framed: 50 x 60 cm (19 3/4 x 23 5/8 in) each edition of 2 + 1 A.P</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648824648238-HQSQYUBBJV9MPOTHSURV/Vittoria-Gerardi_Pompeii_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Group Show • Radical Perspectives - Vittoria Gerardi, Pompeii, 2019</image:title>
      <image:caption>Code engraved at the bottom. Silver gelatin print made on Ilford mat paper and buried in a plaster sculpture. Sits on a metal plate. Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1648812764724-BM71TO9EBRODJ0YQLYWK/Capture+d%E2%80%99%C3%A9cran+2022-03-31+%C3%A0+11.38.34.png</image:loc>
      <image:title>Group Show • Radical Perspectives - Anne-Camille Allueva, Related, 2020</image:title>
      <image:caption>Photographic installation, ∅80x10 cm. Aluminium mounted (back of) digital photographic paper. Ed 1/1 + 1AP</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/catherine-balet-endless</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1652262293967-7S79XY7YMXC6VS1HKVV0/Catherine-Balet_Endless_Saison-Printemps_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet • Endless</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/af3c6cba-f99c-4517-9f23-7dd09929bb78/Bigaignon_Catherine-Balet_Endless_eFlyer.png</image:loc>
      <image:title>Catherine Balet • Endless - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1655563831378-73VJWEEAKW9XLCJ6423L/Catherine-Balet_Endless_Saison-Automne_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet • Endless</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1655563834312-M6LP55JWE14C6EHQ1GLF/Catherine-Balet_Endless_Saison-Hiver_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet • Endless</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1655563836572-80IF1E4FIDC0TD9GF8UC/Catherine-Balet_Endless_Saison-Printemps_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet • Endless</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1655563833577-Q02TY45QXYHLG5JXJIJX/Catherine-Balet_Endless_Saison-Et%C3%A9_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet • Endless</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/capsule-exhibition-blue-interlude</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1657638097481-NLCOI9XP65781SIEGMMP/Thomas-Paquet_Ils-ecoutent-la-couleur-color-2_2022_Courtesy-bigaignon.jpg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/f3c73fc3-832f-43fe-b32d-8c77af583734/Bigaignon_Blue-Interlude_eFlyer.png</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733661437-REAUZRRI08IP9G7Q7Y24/Capsule-exhibiton_blue-interlude_install-view_2_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733669458-OFFA22V5LO7K57P973R6/Capsule-exhibiton_blue-interlude_install-view_5_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733670482-07C96OPLDXVOE4H8DE2Y/Capsule-exhibiton_blue-interlude_install-view_6_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733675171-7O6DF3EHJOI5BYEBGFL2/Capsule-exhibiton_blue-interlude_install-view_8_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733666149-UUKC9ZU23G3DBUGPHBR1/Capsule-exhibiton_blue-interlude_install-view_4_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733679176-LXRHVEGQUOHS1QDL91KO/Capsule-exhibiton_blue-interlude_install-view_9_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733683157-NZNNS2MTR0WGAHDOLER4/Capsule-exhibiton_blue-interlude_install-view_11_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733679823-OQTCZF6CWOEZKBNFHUX6/Capsule-exhibiton_blue-interlude_install-view_10_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733695762-J9G12XFWI0Z8XCQCOH6Y/Capsule-exhibiton_blue-interlude_install-view_17_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1660733689169-43WLM7LLJRJEQXJKYYPT/Capsule-exhibiton_blue-interlude_install-view_14_LD.jpeg</image:loc>
      <image:title>Capsule exhibition • Bleu Interlude</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/renato-dagostin-veni-etiam</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1657714616298-3G8SNC2RRD5ZTOXCVX7A/Renato_D-Agostin_Veni-Etiam-1_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/d0a81da4-9834-4937-aaba-df6e803f5b22/Install-View_Veni-Etiam_Renato-DAgostin_Courtesy-Bigaignon_01.jpeg</image:loc>
      <image:title>Renato D'Agostin • Veni Etiam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Renato D'Agostin • Veni Etiam</image:title>
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      <image:title>Máté Dobokay • Revelation(s) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Group Show • Chair de Temps - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Vittoria Gerardi • Latenza - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1709742526801-1YJLFJ9GU0WFVXB0N2PA/Vittoria-Gerardi_Arancio-recto_Courtesy-Bigaignon.jpg</image:loc>
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      <image:title>Chris McCaw • Marking Time - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Chris McCaw • Marking Time - Exhibition "Marking Time" by Chris McCaw (Courtesy Bigaignon)</image:title>
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      <image:title>Gibson • Plossu - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1718722974690-LKYTG7F6DU39HKG70QOZ/Install-views_Gibson-Plossu_Courtesy-Bigaignon_03.jpeg</image:loc>
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  <url>
    <loc>https://bigaignon.com/olivier-ratsi-the-fall-of-icarus</loc>
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    <lastmod>2024-08-02</lastmod>
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      <image:title>Olivier Ratsi • The Fall of Icarus</image:title>
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      <image:title>Olivier Ratsi • The Fall of Icarus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Olivier Ratsi • The Fall of Icarus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Olivier Ratsi • The Fall of Icarus</image:title>
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      <image:title>Olivier Ratsi • The Fall of Icarus</image:title>
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      <image:title>Olivier Ratsi • The Fall of Icarus</image:title>
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    <image:image>
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      <image:title>Olivier Ratsi • The Fall of Icarus</image:title>
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  <url>
    <loc>https://bigaignon.com/bernar-venet-macadam-1963</loc>
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    <priority>0.75</priority>
    <lastmod>2024-10-18</lastmod>
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      <image:title>Bernar Venet • Macadam 1963</image:title>
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      <image:title>Bernar Venet • Macadam 1963 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1729266735291-H2SZOZ62TYXZPYEKAW0O/Bernar-Venet_Macadam-noir-A_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Bernar Venet • Macadam 1963 - © Bernar Venet, Macadam Noir, 1963, ADAGP Paris, 2024, Courtesy Bigaignon</image:title>
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      <image:title>Bernar Venet • Macadam 1963 - © Bernar Venet, Macadam Noir, 1963, ADAGP Paris, 2024, Courtesy Bigaignon</image:title>
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      <image:title>Bernar Venet • Macadam 1963 - © Bernar Venet, Macadam Noir, 1963, ADAGP Paris, 2024, Courtesy Bigaignon</image:title>
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      <image:title>Bernar Venet • Macadam 1963 - © Bernar Venet, Macadam Noir, 1963, ADAGP Paris, 2024, Courtesy Bigaignon</image:title>
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      <image:title>Bernar Venet • Macadam 1963 - © Bernar Venet, Macadam Noir, 1963, ADAGP Paris, 2024, Courtesy Bigaignon</image:title>
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      <image:title>Hideyuki Ishibashi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Installation view of the solo exhibition “Portraits”, Bigaignon, 2025</image:caption>
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      <image:caption>Installation view of the solo exhibition “Portraits”, Bigaignon, 2025</image:caption>
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      <image:caption>Installation view of the group show “Chair de temps”, Bigaignon, 2023</image:caption>
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      <image:caption>Installation view of the solo exhibition “Présage”, Bigaignon, 2019</image:caption>
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      <image:title>Hideyuki Ishibashi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Hideyuki Ishibashi</image:title>
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      <image:title>Hideyuki Ishibashi</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/e3e28c73-494c-4d56-847b-cdb2992f49bf/Bigaignon_Hideyuki-Ishibashi_Portraits_EN.png</image:loc>
      <image:title>Hideyuki Ishibashi • Portraits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739296356147-RFAV5ZL9AZT8H79WZUR9/Install-views_Portraits_Hideyuki-Ishibashi_Courtesy-Bigaignon_35.jpeg</image:loc>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
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      <image:title>Hideyuki Ishibashi • Portraits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739296675505-9UVSZUQG9SID4H1PVCOD/Install-views_Portraits_Hideyuki-Ishibashi_Courtesy-Bigaignon_104.jpeg</image:loc>
      <image:title>Hideyuki Ishibashi • Portraits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739298641892-7HCAXFNTPHC49LX3PBV2/Install-views_Portraits_Hideyuki-Ishibashi_Courtesy-Bigaignon_66.jpeg</image:loc>
      <image:title>Hideyuki Ishibashi • Portraits</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/mate-dobokay</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1651749505227-WHZ5L3D6A6FO63T7I0Z9/Morvarid-K_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b52b126b-4723-4248-ad2d-feb18a32bb24/M%C3%A1t%C3%A9-Dobokay_by-Andr%C3%A1s-Vizi+%28reframed%29+copie.png</image:loc>
      <image:title>Mate Dobokay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1738418583582-QGCSP8D8LLP5TGP7IH5V/Installs-views_Paris-Photo-booth-28_Courtesy-Bigaignon_32.jpg</image:loc>
      <image:title>Mate Dobokay</image:title>
      <image:caption>Installation view of the Paris Photo fair, Main Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1738410645343-1P2VE19YYH9LZ740FRJW/Install-Views_Mate-Dobokay_Revelations_courtesy-Bigaignon_24_HD+copie.jpeg</image:loc>
      <image:title>Mate Dobokay</image:title>
      <image:caption>Installation view of the solo show “Revelation(s)”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1738410658600-K6D2KPH4NGCFIBNCOWMC/Install-Views_Mate-Dobokay_Revelations_courtesy-Bigaignon_26_HD+copie.jpeg</image:loc>
      <image:title>Mate Dobokay</image:title>
      <image:caption>Installation view of the solo show “Revelation(s)”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/8e491d1f-4653-4324-a99a-ecda71118100/M%C3%A1t%C3%A9-Dobokay_Development-till-Exhaustion_Courtesy-Bigaignon+copie.png</image:loc>
      <image:title>Mate Dobokay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1731591017020-MFD89XKDDUDBXKEEMM0V/M%C3%A1t%C3%A9-Dobokay_Silver-on-Titan-Zinc-2_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1731591035520-WXSNVYTSK5DU42OUY5L6/M%C3%A1t%C3%A9-Dobokay_Silver-on-Paper-1_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1738416237467-L5H1RULZABSC6080B1XY/M%C3%A1t%C3%A9-Dobokay_Hommage-%C3%A0-Simon-Hantai-4_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1731591055131-XK3REDNMGS4M1GS8ICTT/M%C3%A1t%C3%A9-Dobokay_Silverprint-on-Paper-3_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1731591028260-H6FSP6R4L9ZV3ULHF0WL/M%C3%A1t%C3%A9-Dobokay_Silverprint-on-Paper-6_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1731590930155-5227LZ3NC2JYYNWU7JAB/M%C3%A1t%C3%A9-Dobokay_Silver-on-Canvas-1_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Mate Dobokay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/anne-camille-allueva</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673365380815-NHJNNWIXFG6P7S3GB2MR/Anne-Camille_Allueva.png</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/24641a63-d44b-4f63-b79f-8792a881c502/Anne-Camille_Allueva.png</image:loc>
      <image:title>Anne-Camille Allueva - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739448981467-1L8XRW4HHYOQGI5F658G/Install-view_et-si-tout-netait-que-mirage_courtesy-Bigaignon_Anne-Camille-Allueva_071+copie.jpeg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
      <image:caption>Installation view of the group show “ What if it was all just a mirage ?”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739448981671-KHV94XMXB25BUY49UZXJ/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_30+copie.jpeg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739448984314-FFOXGMMYX32PMFLS81GU/Radical-perspectives_Anne-camille-Allueva-Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
      <image:caption>Installation view of the group show “ Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449269347-EPV66OLEQVYQ8ZTH77T1/Anne-Camille-Allueva_Screen-View-%28Mxx%29_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449268448-MWER2YDPFWWAQ1XD549H/Anne-Camille-Allueva_Screen-View-%28M20%29_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673363501701-BEB394P3ICVX2AH3D2Q0/Lights-frame+01+%28145x110+cm%29WEB.jpg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673363501132-NKI4QMTQ89XYXONZ3DJF/Lights-frame+02+%28145x110cm%29WEB.jpg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/18c37369-9f3f-4a14-a783-bb6dfcf61502/Related-Vue-de-lexposition-22-La-Photographie-a-lepreuve-de-labstraction-22-Centre-Photographique-dIle-de-France-2020-%C2%A9-Aurelien-MoleCPIF-ALLUEVA-1024x1536+copie.jpeg</image:loc>
      <image:title>Anne-Camille Allueva - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449574807-W4X4EH6F7H6QIPGAFU6S/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-09%2B%25C3%25A0%2B14.04.41.jpg</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449540632-R6M1RWL6KYMC39GROZLE/Capture+d%E2%80%99%C3%A9cran+2025-01-09+%C3%A0+14.04.05.png</image:loc>
      <image:title>Anne-Camille Allueva</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/catherine-balet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782581819-G5SGUF255UC6JAD69QWT/GTB_Catherine-Balet_Portrait_Courtesy-Galerie-Thierry-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/78148173-daef-417a-b06a-ebb8e3585a01/C.BALET.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739454890451-9LY1E970CTBPOG70VMAF/Install-Views_Chair-du-temps_Catherine-Balet_courtesy-Bigaignon_01_HD+copie.jpeg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455009552-ZNR9GY0Q1JW1LK0IM8DO/Catherine-Balet_Endless_InstallView-1_Courtesy-Bigaignon_HD+copie.jpeg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show “Endless”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455812815-5ES8HRAHYERHRKD79YK4/Catherine-Balet_Endless_InstallView-9_Courtesy-Bigaignon_BD.jpeg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show “Endless”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455819243-09SJRT614FDCGFZKGDLA/Catherine-Balet_Endless_InstallView-16_Courtesy-Bigaignon_BD.jpeg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show “Endless”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455303101-RQBK158JPO7DGAJNWNU0/GTB_Catherine-Balet_MIAR_Instalshot-13+copie.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show “Moods in a room”, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455309767-HPL905GAAT8YSGRMT7UX/GTB_Catherine-Balet_MIAR_Instalshot-5+copie.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show “Moods in a room”, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455782454-1H1VK9J927DSFPW7YZR4/LILLE+MEP58+copie.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo off-site show ”Looking for the Masters in Ricardo’s Golden Shoes”, Maison de la Photo, Lille, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739455782489-525WH11D10011NEUEC9M/LILLE+MEP72+copie.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo off-site show ”Looking for the Masters in Ricardo’s Golden Shoes”, Maison de la Photo, Lille, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739456089899-IHIPPUD1E8POVU4IJKHY/GTB_LFM_Installation-6.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption>Installation view of the solo show ”Looking for the Masters in Ricardo’s Golden Shoes”, Bigaignon, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752156511302-EAOQLXS49N8E72NJWTTN/GTB-2140-image.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1655566571315-APYI0FL41WELYYMRLFXK/Catherine-Balet_Endless_Saison-Printemps_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752156857405-1AHOIPKGO8OSZ0S7HU2Q/GTB-2132-image.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752156876910-QURCQT2BF2A4GGH6E6P9/GTB-2136-image.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752156889692-AKY2NKC4L4NQSR8KWC8O/GTB-0754-image.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752156896645-CT8MM5O233V8TEJLEOU7/GTB-0763-image.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569079073918-DXS1XYR9I51LUAGRZKDV/Balet_Doisneau-38.jpg</image:loc>
      <image:title>Catherine Balet - Catherine Balet - Looking for the Masters in Ricardo's Golden Shoes #38 (Tribute to Robert Doisneau, Kiss by the Hôtel de Ville, 1950), 2014 (Copy)</image:title>
      <image:caption>Signed, numbered and dated in ink at verso, framed (wooden frame tinted white) Archival pigment print on Photo Rag Baryta, printed in 2016 70 x 82 cm (27 1/2 x 32 1/4 in), white margin: 5 cm Edition of 9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569079072732-295QR80E0WWWLRY18W5J/Balet_MAN+RAY-17.jpg</image:loc>
      <image:title>Catherine Balet - Catherine Balet - Looking for the Masters in Ricardo's Golden Shoes #17 (Tribute to Man Ray, Black and white, 1926), 2014 (Copy)</image:title>
      <image:caption>Signed, numbered and dated in ink at verso. Archival pigment print on Photo Rag Baryta, printed in 2016 Edition of 9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569079433355-4Z6T6EALA6I5MSB5PO2N/Balet_Blumenfield-42.jpg</image:loc>
      <image:title>Catherine Balet - Catherine Balet - Looking for the Masters in Ricardo's Golden Shoes #42 (Tribute to Erwin Blumenfeld, Vogue, 1952), 2013 (Copy)</image:title>
      <image:caption>Signed, numbered and dated in ink at verso, framed (wooden frame tinted white) Archival pigment print on Photo Rag Baryta, printed in 2016 100 x 100 cm (39 3/8 x 39 3/8 in), white margin: 7 cm Edition of 9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569078845031-N9TUQUQ5NAJOUR531MSR/GTB-0034-image.jpg</image:loc>
      <image:title>Catherine Balet - Catherine Balet - Looking for the Masters in Ricardo's Golden Shoes #49 (Tribute to Saul Leiter, Paris, 1959), 2013 (Copy)</image:title>
      <image:caption>Signed, numbered and dated in ink at verso, framed (wooden frame tinted white) Archival pigment print on Photo Rag Baryta, printed in 2016 50 x 40 cm (19 3/4 x 15 3/4 in), white margin: 5 cm Edition of 9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739456543308-M8D5XALNAQ44JDSYVD0F/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-24%2B%25C3%25A0%2B18.17.54.jpg</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739457517704-AGL580XAQOSR6I4Q0AKZ/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.07.52.png</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739456442701-73RYU2X8BLKJ0J9KIIHA/Capture+d%E2%80%99%C3%A9cran+2025-01-24+%C3%A0+18.13.38.png</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739456527609-8RQMI5TJIVMTNHLC0L7R/Capture+d%E2%80%99%C3%A9cran+2025-02-13+%C3%A0+15.21.36.png</image:loc>
      <image:title>Catherine Balet</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/les-objectales-denis-malartre</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1732717873404-EIVTDS7W7A5BPWOWQ5SW/Martin-D%C3%A9silets_Tous-les-Desastres-de-la-Guerre_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Les Objectales • Denis Malartre</image:title>
    </image:image>
    <image:image>
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      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740152878238-OW2GETXU5O26PIOO9QUU/Bigaignon_Lignes-de-Mire_Bonisson-Art-Center_Copyright-Denis_Faravel-37.jpg</image:loc>
      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740152886241-UE8V9GB3DJWJ8IEWUKIV/Bigaignon_Lignes-de-Mire_Bonisson-Art-Center_Copyright-Denis_Faravel-38.jpg</image:loc>
      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740152889251-OIKAIQX2Z6GIYHVMOM71/Bigaignon_Lignes-de-Mire_Bonisson-Art-Center_Copyright-Denis_Faravel-39.jpg</image:loc>
      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740152897428-UQNGELQXCG2AVADVZBCW/Bigaignon_Lignes-de-Mire_Bonisson-Art-Center_Copyright-Denis_Faravel-40.jpg</image:loc>
      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
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      <image:title>Group Show • Ligne(s) de mire</image:title>
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    <image:image>
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      <image:title>Group Show • Ligne(s) de mire</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1651749505227-WHZ5L3D6A6FO63T7I0Z9/Morvarid-K_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Morvarid K</image:title>
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      <image:title>Morvarid K - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739547884431-HPEKN0IX392DMVAQFJJW/Install-view_et-si-tout-netait-que-mirage_courtesy-Bigaignon_Morvarid-K_054+copie.jpeg</image:loc>
      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the group show “What if it was all just a mirage?”, Bigaignon, 2024</image:caption>
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    <image:image>
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      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the Paris Photo fair, Main Sector, Bigaignon, 2024</image:caption>
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      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the solo show “This Too Shall Pass”, Bigaignon, 2023</image:caption>
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    <image:image>
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      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the solo show “This Too Shall Pass”, Bigaignon, 2023</image:caption>
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    <image:image>
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      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739548457913-9Q8JWBKI205CZC19VUQ4/Radical-perspectives_Morvarid-k-Courtesy-Bigaignon+copie.JPG</image:loc>
      <image:title>Morvarid K</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739549435742-KDJWA41DT76VTQ5CWM6I/MorvaridK_mimesis-4.jpg</image:loc>
      <image:title>Morvarid K</image:title>
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      <image:title>Morvarid K</image:title>
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    <image:image>
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      <image:title>Morvarid K</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1761064646140-XQYNTVF5J5UQK3WWLK50/MorvaridK_ThisTooShallPass_Tps1_07.jpg</image:loc>
      <image:title>Morvarid K</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739549500138-A9D1KHHWLHH0H2WO5KET/MorvaridK_YukoMoon03+copie.jpg</image:loc>
      <image:title>Morvarid K</image:title>
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      <image:title>Morvarid K - MORVARID K, ECOTONE 15, 2019 (Copy)</image:title>
      <image:caption>Pigment Print, collage and kintsugi on photograph Unique 50x65cm Framed</image:caption>
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    <image:image>
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      <image:title>Morvarid K - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/530fd443-c494-4e5d-8b46-4117dad3608e/Morvarid-k_once-upon-a-time_courtesy-Bigaignon.jpg</image:loc>
      <image:title>Morvarid K - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739551488561-P337DT8IRVUYYA5OIMKM/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-09%2B%25C3%25A0%2B14.04.41.jpg</image:loc>
      <image:title>Morvarid K</image:title>
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      <image:title>Morvarid K</image:title>
      <image:caption />
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  <url>
    <loc>https://bigaignon.com/martin-desilets</loc>
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    <priority>0.75</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673365380815-NHJNNWIXFG6P7S3GB2MR/Anne-Camille_Allueva.png</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/56eea669-f5d9-414b-b4a7-39d1309ffa93/portrait_MDesilets.jpg</image:loc>
      <image:title>Martin Désilets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739553265442-QU9UAJ9HVZ74IPKELFC9/Install-view_et-si-tout-netait-que-mirage_courtesy-Bigaignon_159+copie.jpeg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption>Installation view of the group show “What if it was all just a mirage ?”, Bigaignon, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739553242070-X40HPYZBAEOQOYB2CVBP/01_desilets_martin_index.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption>Installation view of the solo show “L’index”, Gallery B-312, Montréal, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739553288071-SROZYR6QGZ5ZWP3R8AJN/06_desilets_martin_index.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption>“L’index”, Gallery B-312, Montréal, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739553364839-H1J32978ND11DQW71ABR/vue_kb_mdesilets.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption>Installation view of the group show “Slowly Arriving", Kunsthaus Baselland, Basel, 2021</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739553386865-UP80D3OLA8TMO624J97D/02_martin_desilets_800x1600.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption>Installation view of the solo show “Matière noire / L’index”, Occurrence, Montréal, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727817189-8UDWABUREZB82M85UA99/02_Desastres_detail.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/c92bc0d8-17e0-40af-b364-c869dcc93e1d/Martin-D%C3%A9silets_Tous-les-Desastres-de-la-Guerre_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Martin Désilets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727841559-MH3VFCU9GI0W5QAU5N9E/07_Etat_14.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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      <image:title>Martin Désilets</image:title>
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    <image:image>
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      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727851055-MBV0ZX3P2LHGQE8GZ7E9/10_Etat_37.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727854275-LWO6DJ7EHEKLZWWOJC7J/11_Etat_39.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727857413-7JK7TDYMZ6KGB9CMUT9T/12_Etat_50.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727860388-35OO301LBJ5UGYNOYTEK/13_Etat_60.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744727863791-A0HW7OF3FDDMPMB4B19O/14_Etat_77.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1768307509036-Y56OR4M2E68WHWFTBQPD/Capture+d%E2%80%99%C3%A9cran+2026-01-13+%C3%A0+13.27.22.png</image:loc>
      <image:title>Martin Désilets</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739555051957-T967CTWHPPVGO1LODCP2/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-02-07%2B%25C3%25A0%2B13.16.38.jpg</image:loc>
      <image:title>Martin Désilets</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://bigaignon.com/fernando-marante</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739876373213-1P0V3Z0N0PB99P483D01/Install-Views_Fernando-Marante_Ballet-Mecanique_courtesy-Bigaignon_22_HD+copie.jpeg</image:loc>
      <image:title>Fernando Marante</image:title>
      <image:caption>Installation view of the solo show “Ballet mécanique”, Bigaignon, 2023</image:caption>
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    <image:image>
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      <image:title>Fernando Marante</image:title>
      <image:caption>Installation view of the solo show “Ballet mécanique”, Bigaignon, 2023</image:caption>
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    <image:image>
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      <image:title>Fernando Marante</image:title>
      <image:caption>Installation view of the solo show “Ballet mécanique”, Bigaignon, 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739876344687-XA6KNZJFTU85MSUPIGIP/Radical-perspectives_Fernando-Marante-Courtesy-Bigaignon+copie.JPG</image:loc>
      <image:title>Fernando Marante</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1619780401802-POVL63Q7VEHATW8B8JDP/FM_Var140_8117c.jpg</image:loc>
      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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    <image:image>
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      <image:title>Fernando Marante</image:title>
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      <image:title>Fernando Marante</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1619780407104-FSGE6ZD8SYP0N5TUUVWP/FM7580.jpg</image:loc>
      <image:title>Fernando Marante</image:title>
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  </url>
  <url>
    <loc>https://bigaignon.com/denis-malartre</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646931846195-ZXVJNCBUZU92RUY3M3NA/Denis-Malartre.jpg</image:loc>
      <image:title>Denis Malartre</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/e4fdd2a4-8f50-4cdb-abf1-d72d9c308fc8/Autoportrait.001+copie.jpg</image:loc>
      <image:title>Denis Malartre</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741351498019-4J1JPRXDCFD5IS4QZ72S/DSC_9799+HD.jpg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878003190-BRZZDKFQN78QEAQ0FBRM/Installs-views_Paris-Photo_Denis-Malartre-booth-30_Courtesy-Bigaignon_69+copie.jpeg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the Paris Photo Fair, “Prisms” Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878002962-9PPZ95LQRCZ2XD18WZFN/Installs-views_Paris-Photo_Denis-Malartre-booth-30_Courtesy-Bigaignon_73+copie.jpeg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the Paris Photo Fair, “Prisms” Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878009477-E4XTXTBUX7GVQHNFKVKI/Installs-views_Paris-Photo_Denis-Malartre-booth-30_Courtesy-Bigaignon_75+copie.jpeg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the Paris Photo Fair, “Prisms” Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878010554-DXJH6LTTNT1URIUGWITF/Installs-views_Paris-Photo_Denis-Malartre-booth-30_Courtesy-Bigaignon_80+copie.jpeg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the Paris Photo Fair, “Prisms” Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878047607-8LIBF0EF7WQOVH0GSF0E/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Denis-Malartre+copie.jpeg</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930532945-USXSQLQBJ8L21HJOG839/Denis-Malartre_Les-Obectales_1.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon.  (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930533937-FFA3A6YGF41C1RWCH6YD/Denis-Malartre_Les-Obectales_3.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930536538-KZA2SLS7YB7HM3SIP7SM/Denis-Malartre_Les-Obectales_9.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930539478-KUNIB3J2E46LH7VT87GV/Denis-Malartre_Les-Obectales_16.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930538239-3N6XHOD3E2CC7QEC0PX7/Denis-Malartre_Les-Obectales_13.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930540151-CFXBOFNOKWFB3HTJ6X0A/Denis-Malartre_Les-Obectales_17.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930540800-FDJDGJDCKATXD5JN0AT7/Denis-Malartre_Les-Obectales_19.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930534163-D4JFWO2Y0PVDHCOACW85/Denis-Malartre_Les-Obectales_4.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930541551-D2VZ4VAISSFBQET9EWJ4/Denis-Malartre_Les-Obectales_20.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930542126-0XBSJ9S04NYTZTR7E9BH/Denis-Malartre_Les-Obectales_21.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930535164-3ECW2A4FRZEFJU6IK6X8/Denis-Malartre_Les-Obectales_6.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930543929-2MXRXCSD97JOD3S6PSSW/Denis-Malartre_Les-Obectales_24.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930544327-IGGB49XELX09IFSMIIKD/Denis-Malartre_Les-Obectales_25.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1646930544848-M8QBZWS6QEUUFPXWZHXJ/Denis-Malartre_Les-Obectales_26.jpg</image:loc>
      <image:title>Denis Malartre - Les Objectales, Denis Malartre. Courtesy Bigaignon. (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739878347834-FWDKZ6U2Q9O8XZABGDFS/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+18.23.54.png</image:loc>
      <image:title>Denis Malartre</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/lionel-bayol-themines</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673365380815-NHJNNWIXFG6P7S3GB2MR/Anne-Camille_Allueva.png</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/bfd52dc4-a193-484e-953f-66575689d241/lionel-bayol-themines-2.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880280519-YDPEGSJ7S1BNBZUIZU0H/Install-view_et-si-tout-netait-que-mirage_courtesy-Bigaignon_Lionel-Bayol-Themines_046+copie.jpeg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
      <image:caption>Installation view of the group show “What if it was all just a mirage?”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880418020-Y0I1R5EU8CNCZDZ4AGCX/Radical-perspectives_Lionel-Bayol-Th%25C3%25A9mines-Courtesy-Bigaignon%2Bcopie.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880520888-CT3DX4CED1DBR32F5L23/Bayol-Themines-tirages-playing-with-baldessar30-x-40i-6156+copie.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880519667-LTVC466KKNJ2YUP1IITC/Bayol-Themines-tirages-playing-with-baldessar30-x-40i-6119+copie.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880519591-6O31UOS89TND9F21ER16/Bayol-Themines-tirages-playing-with-baldessar30-x-40i-615+copie.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880520524-9PHUFI21WBDL6L506YWB/Bayol-Themines-tirages-playing-with-baldessar30-x-40i-6134+copie.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/5cbf83b3-a124-45d2-861a-8a9d212a4131/Lionel-Bayol-Th%C3%A9mines_Courtesy-Bigaignon+copie.png</image:loc>
      <image:title>Lionel Bayol-Thémines - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449574807-W4X4EH6F7H6QIPGAFU6S/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-09%2B%25C3%25A0%2B14.04.41.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739449540632-R6M1RWL6KYMC39GROZLE/Capture+d%E2%80%99%C3%A9cran+2025-01-09+%C3%A0+14.04.05.png</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739880613950-K4QDVSL5911YFLKMLG7F/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-10%2B%25C3%25A0%2B16.53.10.jpg</image:loc>
      <image:title>Lionel Bayol-Thémines</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/vittoria-gerardi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782726833-DMGNYJ0B550WRC1ZI8FB/GTB_Vittoria+Gerardi_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548784588195-03DZZJXUHICH340IKLSN/GTB_Vittoria+Gerardi_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054286509-XT5WSUHVVRPFWYKWFHRY/_Vittoria-Gerardi_Latenza_Courtesy-Bigaignon_35%2Bcopie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the solo show “Latenza”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739881853862-11HBJR54XEPHOH3I1AYG/_Vittoria-Gerardi_Latenza_Courtesy-Bigaignon_02+copie.jpeg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the solo show “Latenza”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1739881886192-CFWF5EYK77WXB00VIUDI/Vittoria-Gerardi_Arancio-open_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the solo show “Latenza”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740063610352-2K6VVQI8FV7AFHW31CRE/_MG_5234%2Bcopie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the group show “A Black and White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054231132-5UC513XP9DLXBY9YYDEN/Radical-perspectives_Vittoria-Gerardi-Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054231826-QVKQ4KJPFWZ9HT9Q8A0D/Radical-perspectives_Fernando-Marante-Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054270091-1G05UCHS6YPS8EDEHUX5/Tr%C3%BCgerische+Bilder12+copie.jpeg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the off-site group show “Deceptive Images – Playing with Painting and Photography” at the Marta Herford Museum, Bigaignon, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054270939-GNWPLWNOS46TI7KSBWTL/Tr%C3%BCgerische+Bilder13+copie.jpeg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the off-site group show “Deceptive Images – Playing with Painting and Photography” at the Marta Herford Museum, Bigaignon, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054276886-C8UD6JX0XLMHWHIYUEBD/1_pompeii_installationview_lr+copie+2.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
      <image:caption>Installation view of the solo show “Pompeii”, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752337404658-DWEBWLY7SEPVRG9LFX3E/A-BLACK2024-VG.JPG</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752337409679-PEPIM2L252SWL7HOZ1XY/A2024-INDACO-smalto-verso.JPG</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054750132-5BJC7NDD5QLSGVSKXTIM/Vittoria-Gerardi_G2-B2024-VG-latus_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569146104120-DIOF68V9Z05IULU1AZ3E/GTB-1002-image.jpg</image:loc>
      <image:title>Vittoria Gerardi - Vittoria Gerardi - Pompeii VIII 2,23, 2019 (Copy)</image:title>
      <image:caption>Silver gelatin print made on Ilford mat paper and buried in a plaster sculpture. Sits on a metal plate. 11 x 13 x 10 cm (4 3/8 x 5 1/8 x 4 in) Unique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740055175584-APNG4GEGFBAO4EGN7XB5/A.A2022.02+copie.JPG</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054803947-HUQUBLPJ2H26M1TO441O/17+copie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
    </image:image>
    <image:image>
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      <image:title>Vittoria Gerardi</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752337527026-TJ211G8YK9KEKQ6FIODE/Pompeii_Dioniso_01-detail.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054684808-P7CEB5EV1BZW63Y35WLL/Vittoria+Gerardi_446_Confine_Courtesy+mc2+gallery+copie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740054686248-FQGHU1J1X1N2PO77Y7QQ/Vittoria+Gerardi_Confine_64_Courtesy+Galerie+Thierry+Bigaignon+copie.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740056900280-S3PKS200LBFKZMY4YWAI/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.08.01.png</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740056930374-K7TN4TLOMMAGUSXHKHYG/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+14.35.11.png</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740056967068-ZZJ5O2HCGGL4CV71LGHS/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-02-01%2B%25C3%25A0%2B18.52.39.jpg</image:loc>
      <image:title>Vittoria Gerardi</image:title>
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    <image:image>
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      <image:title>Vittoria Gerardi</image:title>
      <image:caption />
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  <url>
    <loc>https://bigaignon.com/jean-de-pomereu</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673365380815-NHJNNWIXFG6P7S3GB2MR/Anne-Camille_Allueva.png</image:loc>
      <image:title>Jean de Pomereu</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/90690507-b70f-4fda-a5f4-915f45ccd122/Jean-de-Pomereu.jpg</image:loc>
      <image:title>Jean de Pomereu - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740737512148-401DET8EHV4QIMTWRRB9/DSC_9795+HD.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740737517756-MXATHQ8CBFZT5X57TQGI/PerturbationB_2018_%C2%A9Jdepomereu.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the Art Brussels fair, main sector, Bigaignon, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740052781435-203BP7DOFBC1J0Y5Y4RV/Jean-de-Pomereu_Echos_InstallView-8_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the solo show “Echos”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740052781230-08A71NCLCIOQRSY1QSZF/Jean-de-Pomereu_Echos_InstallView-9_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the solo show “Echos”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740052786462-0D7IJJPQH4LCNFVLXZNF/Jean-de-Pomereu_Echos_InstallView-10_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the solo show “Echos”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740052787264-EJ5SUC5XI37P7J00TSY7/Jean-de-Pomereu_Echos_InstallView-17_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
      <image:caption>Installation view of the solo show “Echos”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/6fe96c91-d2ab-4c58-9504-54bf3395a976/Jean-de-Pomereu_Disparition-3_Courtesy-Bigaignon_HD.jpg</image:loc>
      <image:title>Jean de Pomereu - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740053470377-OA20ATG6Z9KX6WT8ZYY5/Jean-de-Pomereu_Amplification-1_Courtesy-Bigaignon_HD.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
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    <image:image>
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      <image:title>Jean de Pomereu</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740053516627-DU51L24JE6KCT9VBG264/Jean-de-Pomereu_Correspondences-2_Courtesy-Bigaignon_HD.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
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    <image:image>
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      <image:title>Jean de Pomereu</image:title>
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      <image:title>Jean de Pomereu</image:title>
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    <image:image>
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      <image:title>Jean de Pomereu</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740053669454-IF102Y4RQEZOI4WVP49H/Jean-de-Pomereu_Fragmentation-4_Courtesy-Bigaignon_HD+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740053670346-PJRIVSQGIUOP8M4C7HQ6/Jean-de-Pomereu_Fragmentation-3_Courtesy-Bigaignon_HD+copie.jpg</image:loc>
      <image:title>Jean de Pomereu</image:title>
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    <image:image>
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      <image:title>Jean de Pomereu</image:title>
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      <image:title>Jean de Pomereu</image:title>
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      <image:title>Jean de Pomereu</image:title>
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  <url>
    <loc>https://bigaignon.com/ralph-gibson-vu-imprevu-fondation-venet</loc>
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    <lastmod>2025-03-27</lastmod>
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      <image:title>Ralph Gibson • Vu, imprévu • Fondation Venet</image:title>
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  <url>
    <loc>https://bigaignon.com/yannig-hedel</loc>
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    <lastmod>2026-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782799910-PUT9BV16OE5TBQORTJUU/GTB_Yannig+Hedel_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548784738005-OBFZZUGICM5P13CPDNP7/GTB_Yannig+Hedel_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740150546189-52R49Y857LWDVYGF0AJJ/DSC_9934+HD.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the off-site group show at the Bonisson Art Center “Ligne(s) de mire”, Bigaignon, 2025. Credit: Denis Faravel for the Bonisson Art Center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147094076-JRYYQHH1IWLOW3DN2EH0/Install-views_Offscreen_Yannig-Hedel_Ready-found_Courtesy-Bigaignon_58+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the OFFSCREEN art fair, Bigaignon, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147123398-MO085BZE5TDP3GBIQWDQ/Install-view_Yannig-Hedel_De-Prime-Abord_courtesy-Bigaignon_161+copie.jpeg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “At First Glance”, Bigaignon, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147123713-R2VGJN2WT8PG7U3R2HL2/Install-view_Yannig-Hedel_De-Prime-Abord_courtesy-Bigaignon_194+copie.jpeg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “At First Glance”, Bigaignon, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147274822-YQ1BN2F5IJX9ILM6EJLE/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_25%2Bcopie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147217051-1R91MSKGU6TOSR2PC5IV/Install-Views_Chair-du-temps_Yannig-Hedel_courtesy-Bigaignon_01_HD+copie.jpeg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147363301-Z9YS5LQ9HE1G8ZKI7XDC/Radical-perspectives_Yannig-Hedel-Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147479608-U5BZ5C6FGHI6A2ZF4APU/Bigaignon_Yannig-Hedel_Pass%C3%A9-compos%C3%A9_Install-View_HD-8+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “Passé Composé”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147492796-3XI5JE4H935WWEEN9YAK/Bigaignon_Yannig-Hedel_Pass%C3%A9-compos%C3%A9_Install-View_HD-2+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “Passé Composé”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147578361-X1OOA298ZFSV4J9UYXZP/IMG_9007+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “Quarter past twelve”, Bigaignon, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740147575925-IPEYQUKT3V3YVUMYAQJ9/IMG_8996+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
      <image:caption>Installation view of the solo show “Quarter past twelve”, Bigaignon, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b028b597-be22-4b44-b684-a929e5811d9f/Le+clocheton-M1+%C3%A0+M...+copie.jpg</image:loc>
      <image:title>Yannig Hedel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740155129597-HTYAU3H5R3K78SP19RSL/Yannig-Hedel_Heures-Blanches-29_Courtesy+Galerie-Thierry-Bigaignon_HD+copie.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
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    <image:image>
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      <image:title>Yannig Hedel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740155530653-D7538LO3OB4JXW3F9N1P/GTB-0643-image.jpg</image:loc>
      <image:title>Yannig Hedel</image:title>
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    <image:image>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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      <image:title>Yannig Hedel</image:title>
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    <image:image>
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      <image:title>Yannig Hedel</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://bigaignon.com/elyn-zimmerman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1682527578584-XFIQP9O6GX29ZG7KUE96/elyn-zimmerman.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/5b62b73a-3e54-4942-a613-78ac299c4de8/elyn-zimmerman.jpg</image:loc>
      <image:title>Elyn Zimmerman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158332496-QJLSTV3RRG05MLZ502MW/DSC_9716+HD.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
      <image:caption>Installation view of the off-site group show at the Bonisson Art Center “Ligne(s) de mire”, Bigaignon, 2025. Credit: Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158347128-6LWXGHCYMY9OF7H1GS7A/DSC_9859+HD.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
      <image:caption>Installation view of the off-site group show at the Bonisson Art Center “Ligne(s) de mire”, Bigaignon, 2025. Credit: Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158343530-AZZKSFYTQEK2U24UKU12/Installs-views_Paris-Photo-booth-28_Courtesy-Bigaignon_61+copie.jpeg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
      <image:caption>Installation view of the Paris Photo fair, Main Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740220022760-2BJBF6WA24477F2Y6YPD/IMG_7258%252Bcopie.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
      <image:caption>Installation view of the OFFSCREEN art fair, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158345412-ZCURO627ZIA7K99E8GJ7/Elyn-Zimmerman_Equivalent-Abstraction-Installation-View_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/c5aa422b-e6bf-483d-9132-93ab3fab0e79/Elyn-Zimmerman_Equivalent-Abstraction_Roma-Windows-1975_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Elyn Zimmerman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/62b0d981-76b7-4fba-bed0-beed6504d95c/Elyn-Zimmerman_White-Room-1975_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Elyn Zimmerman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158853491-GRF5Q6ANY5BK9S51JABU/6TH+AVE+copie.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740158855615-D2TRX7ZE8R8ELKBDF7Z3/PARK+AVE+3+copie.jpg</image:loc>
      <image:title>Elyn Zimmerman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740159994906-VHRUX4TKUCBT9I86958S/Capture+d%E2%80%99%C3%A9cran+2025-02-21+%C3%A0+18.45.09.png</image:loc>
      <image:title>Elyn Zimmerman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740159989874-12O42FLT98BUIBNKYI5N/Capture+d%E2%80%99%C3%A9cran+2025-02-21+%C3%A0+18.45.32.png</image:loc>
      <image:title>Elyn Zimmerman</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/olivier-ratsi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/99dd5dae-21da-4784-9728-c2fb8576adf6/2024-olivier-brutes-md-132.jpg</image:loc>
      <image:title>Olivier Ratsi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480219171-HD1RMOYGDFYL2IJJKGYH/Installs-views_Olivier-Ratsi_La-chute-dIcare_Courtesy-Bigaignon_2.jpeg</image:loc>
      <image:title>Olivier Ratsi</image:title>
      <image:caption>Installation view of the solo show “The Fall of Icarus”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480215942-Q6RVIKXR1Q38LB6HE17E/Installs-views_Olivier-Ratsi_La-chute-dIcare_Courtesy-Bigaignon_1.jpg</image:loc>
      <image:title>Olivier Ratsi</image:title>
      <image:caption>Installation view of the solo show “The Fall of Icarus”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480224272-8ATDI9ZRRZQM0G2K9BH7/Installs-views_Olivier-Ratsi_La-chute-dIcare_Courtesy-Bigaignon_5.jpg</image:loc>
      <image:title>Olivier Ratsi</image:title>
      <image:caption>Installation view of the solo show “The Fall of Icarus”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480271884-I6UVN3BMYHKYGAUCPJXF/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-01+copie.jpeg</image:loc>
      <image:title>Olivier Ratsi</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480283797-EGF9PDG6WNCJVPTG47CW/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-04+copie.jpeg</image:loc>
      <image:title>Olivier Ratsi</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326487509-M603AJ6BIQOO8KXERSRZ/Delta-1.png</image:loc>
      <image:title>Olivier Ratsi - Delta (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326487777-ZM1JYYBPXHAOGYPS9DFE/Delta-2.png</image:loc>
      <image:title>Olivier Ratsi - Delta (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326546091-2VGTMHUT8Y7RH0VE7UDX/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-01.jpeg</image:loc>
      <image:title>Olivier Ratsi - SQR-14// (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326546093-RF5F9DZO0N1JV58T18QC/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-02.jpeg</image:loc>
      <image:title>Olivier Ratsi - SQR-14// (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326499612-RHYZ9925UYU9NU9KFMYT/IIII.png</image:loc>
      <image:title>Olivier Ratsi - IIII (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707328699935-ZAF4Q1EYK3IJA1WH7M3K/Frame-perspective-2.png</image:loc>
      <image:title>Olivier Ratsi - Frame perspective (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707387217443-WX9T6R1N1AQ2DD8WLYC6/Form2.png</image:loc>
      <image:title>Olivier Ratsi - ANTI (Pictures by Alexandre Réty / Joan Giner ) (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707387216021-5H0O2I00A9CFCEAY5Y1O/Form1.png</image:loc>
      <image:title>Olivier Ratsi - ANTI (Pictures by Alexandre Réty / Joan Giner ) (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326506121-5FGXPZ4M6U592L9QLYV9/Spectrum-2.png</image:loc>
      <image:title>Olivier Ratsi - Spectrum (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326512709-0R7TYHNE525DGF7APTS7/spectrum-2a.png</image:loc>
      <image:title>Olivier Ratsi - Spectrum (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326499578-3RWENI5TZ60Y0O3KYXX7/Eppur+si+muove+-+Nicolas+Blscak.png</image:loc>
      <image:title>Olivier Ratsi - Eppur si muove, copyright Nicolas Blscak (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707387115928-G90GG4VK48B3X42IBGS8/Eppur%2Bsi%2Bmuove%2B-%2BNicolas%2BBlscak2.png</image:loc>
      <image:title>Olivier Ratsi - Eppur si muove, copyright Nicolas Blscak (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326559886-8MP2HU6I7V7HJXXS7V8I/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-03.jpeg</image:loc>
      <image:title>Olivier Ratsi - Perspicere, SQR 1.1 (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707326559933-SD84SAYIM5BSQ0W6NXWH/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Olivier-Ratsi-04.jpeg</image:loc>
      <image:title>Olivier Ratsi - Perspicere, SQR 1.1 (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707328728248-3R2Z01BEYGMTXTGC1RDH/XYZ-3.png</image:loc>
      <image:title>Olivier Ratsi - XYZ (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707328727851-JXOV7TXGC0GLUMH937C1/XYZ-2.png</image:loc>
      <image:title>Olivier Ratsi - XYZ (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707328701514-T5ZA0Y09BV937SGFX8WJ/In-parallele-1_copyright+joan+Giner.png</image:loc>
      <image:title>Olivier Ratsi - In parallel, copyright Joan Giner (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1707328705686-HQZ41C81E8CH505SLRJ6/In-parallele-2_copyright+joan+Giner.png</image:loc>
      <image:title>Olivier Ratsi - In parallel, copyright Joan Giner (Copy)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480568356-5A4W71QOI9AOJ981JNZ5/Installs-views_Olivier-Ratsi_La-chute-dIcare_Courtesy-Bigaignon_1+copie.jpg</image:loc>
      <image:title>Olivier Ratsi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740480587146-YSH9Z92MKLEYR4KSNZRN/Installs-views_Olivier-Ratsi_La-chute-dIcare_Courtesy-Bigaignon_14.jpeg</image:loc>
      <image:title>Olivier Ratsi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/thomas-paquet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782866992-NVB9GOJNBYWF1VLS4P4G/GTB_Thomas+Paquet_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/5e188348-2ac6-400b-bfd0-1c0f108ca22f/GTB_Thomas+Paquet_Portrait_Courtesy+Galerie+Thierry+Bigaignon.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1749054104077-4G2ARHQ3X2C7QXG8FI3T/orizzonti-rosso-fvg-6_2x.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view Exhibition – Orizzonti Rosso – PM23, Valentino Garavani and Giancarlo Giammetti Foundation, Rome, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740482994901-QMN3Y5HU4Y5IBKETEB8D/DSC_9983+HD.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Credit : Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740482975092-RWPWUKNDS2C5OIWAGDU8/DSC_9972+internet+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Credit : Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483013917-K3DP4XVYZWSCTGPOLHAB/DSC_9790%2BHD.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Credit : Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483160324-4IBEY3YDCYYDITC470OB/Installs-views_Paris-Photo-booth-28_Courtesy-Bigaignon_59+2-2.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the Paris Photo fair, Main Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483257240-I2M56NECY34FX61LH8QQ/Install-Views_Thomas-Paquet_Odile-Mir_Leonie-Alma_Mason_Rien-nechappe-a-la-lumiere_courtesy-Bigaignon_24_BD+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the solo show “Rien n’échappe à la lumière”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483270446-58NR8P1U8TL6B8LRZ8KA/Install-View_La-Dialectique-de-LOmbre_courtesy-Bigaignon_Thomas-Paquet+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the group show “The Dialectic of the Shadow”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483369464-59WO1B50NTFU4RJ5ROHX/Install-Views_Thomas-Paquet_Odile-Mir_Leonie-Alma_Mason_Rien-nechappe-a-la-lumiere_courtesy-Bigaignon_01_HD+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the solo show “Rien n’échappe à la lumière”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483416318-SA1CLH0J5SUYC41BF4LY/Install-Views_Chair-du-temps_Thomas-Paquet_courtesy-Bigaignon_01_LD+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483427086-V1RY5PJ8OKY2B0PBW146/Capsule-exhibiton_blue-interlude_install-view_14_LD+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the capsule exhibition “Blue interlude”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483500594-A2RLAIST79YNJMDP7DXO/BF-02-027+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the off-site solo exhibition “Fragments”, Bigaignon, Vence, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483508058-DD1ERS368DOCP85RDN7A/Radical-perspectives_Thomas-Paquet-Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the group show “Radical Perspectives”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483616453-AILWXF1M3OB1BHHK51KY/GTB_Thomas-Paquet_Et-pendant-ce-temps-le-soleil-tourne_Install-View-4+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the solo show “Meanwhile the sun rolls around”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483700822-BIMMXSYZ3IXSVAJKALYI/APPROCHE-VIEW-017%2Bcopie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the a pp roc he fair, Bigaignon, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483616870-5WBMMQOFJYOKZ7KJMWAO/GTB_Thomas-Paquet_Et-pendant-ce-temps-le-soleil-tourne_Install-View-6+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the solo show “Meanwhile the sun rolls around”, Bigaignon, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483772689-HP86OGEJZYQNPDZMAELE/INSTALLATION-VIEWS-2+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption>Installation view of the solo show “Fragments #1”, Bigaignon, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1749143527416-V09QLZLY537FH3J8FRPT/Thomas+Paquet_Grand-Horizon-Panoramique-1_LD_Courtesy_Bigaignon.png</image:loc>
      <image:title>Thomas Paquet</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1749143533662-CIIOGZN8HH0I9BVF0IW8/Grand+Horizon+%231.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1652267456756-6A7PHV9BEWAGK5KDVDF1/HORIZONS%237.jpeg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1652267774743-L371JEOJS42MNYXXK1WH/Thomas-Paquet_Horizon%239_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740484255417-JUBGI6D8B79KRLXLBXQS/8Mai18%2Bcopie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740483931114-NZY9PTWV4YJ2N6YXA6TO/20septembre18-cadre.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/00c94ea3-f92c-43e1-80a4-9ad42fb69f31/GTB-2683-image.jpg</image:loc>
      <image:title>Thomas Paquet - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740484388417-SW0J1Z5J4BQBH7C2E4FL/prisme%233+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740487399287-NH4FCJXT0HXOV9YWROEG/Thomas-Paquet_TheObservatory_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740484367596-32F8UV27NTWQU5SDUEG0/Solar+System-Mars+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740484368713-0UK3ECIL0JTAUXA3NOZ6/Solar+System-Mercury+copie.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740497559530-NOGCRS6EW09BA6EDK5RL/Capture%252Bd%2525E2%252580%252599%2525C3%2525A9cran%252B2025-01-23%252B%2525C3%2525A0%252B09.57.24.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740497196830-MCX7VBPO4S903WKBW1O1/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-09%2B%25C3%25A0%2B14.04.41.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740487871164-NE10YW7Z9UP4O07E64XB/Capture+d%E2%80%99%C3%A9cran+2025-01-09+%C3%A0+14.04.05.png</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740497135057-I0ENOHXPZ76YU3EG4JYD/Capture%252Bd%2525E2%252580%252599%2525C3%2525A9cran%252B2025-01-22%252B%2525C3%2525A0%252B10.23.05.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740487924021-75UK5DUEJOVJQQZIZHXZ/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-01-22%2B%25C3%25A0%2B10.48.29.jpg</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740487874853-7OR1O3R9YDNYBXNIZQRA/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.08.01.png</image:loc>
      <image:title>Thomas Paquet</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/bernar-venet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
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      <image:title>Bernar Venet</image:title>
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    <image:image>
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      <image:title>Bernar Venet</image:title>
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    <image:image>
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      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740825652258-WZ0U141K7UOBYXB4F9IG/Install-views_Bernar-Venet_Courtesy-Bigaignon_13+copie.jpeg</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the solo show “Macadam 1963”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740825678085-JMIF6BQBWM9OBEBK344F/Install-views_Bernar-Venet_Macadam-1963_Courtesy-Bigaignon_73+copie.jpeg</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the solo show “Macadam 1963”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740825660786-J5FFT9E0FILD5DSD7J91/Install-views_Bernar-Venet_Courtesy-Bigaignon_31+copie.jpeg</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the solo show “Macadam 1963”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740825688799-K6WUH7EGBT3KE8KSQTYU/Install-views_Bernar-Venet_Macadam-1963_Courtesy-Bigaignon_76+copie.jpeg</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the solo show “Macadam 1963”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740825670324-OFH1IKDBLWKV33DHFD7U/Install-views_Bernar-Venet_Macadam-1963_Courtesy-Bigaignon_59+copie.jpeg</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption>Installation view of the solo show “Macadam 1963”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826855114-HH9I45KS23O5S42BDVQW/Bernar-Venet_Macadam-noir-C_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826855704-ZG9AQ7DC8CDG8CASF3KE/Bernar-Venet_Macadam-noir-F_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826858578-QOFZ9O5YQ13RZ09FLCR1/Bernar-Venet_Macadam-noir-I_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826859624-394M0CQQERET9NLI3XOC/Bernar-Venet_Macadam-noir-K_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826862125-VSQYML4AGEJ8ANFLDVMX/Bernar-Venet_Macadam-noir-N_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826863325-RQM0ELYKM4MZYBNJZREC/Bernar-Venet_Macadam-noir-Q_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826865680-5Q0O641D9F0QLIGE95CQ/Bernar-Venet_Macadam-noir-S_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826866851-GK5GSU4AQPAZ9KO9X1OL/Bernar-Venet_Macadam-noir-U_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826869166-UZ8LJZBVHOTE89W0UFHN/Bernar-Venet_Macadam-noir-X_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826870069-KNM4A0SNC88MN96KOLV9/Bernar-Venet_Macadam-noir-Z_Courtesy-Bigaignon+copie.jpg</image:loc>
      <image:title>Bernar Venet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826929868-IVCLV9MLDQMM8MXH6TX0/Capture+d%E2%80%99%C3%A9cran+2025-02-28+%C3%A0+14.50.40.png</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826931191-NWSEJCUH9LP9MVOOC3UG/Capture+d%E2%80%99%C3%A9cran+2025-02-28+%C3%A0+14.28.32.png</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741705123793-WS892YYPWRE2OONBSSHR/Capture+d%E2%80%99%C3%A9cran+2025-03-11+%C3%A0+15.56.49.png</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740826927957-4B6MQ5MCXJVHKUDDIM3T/Capture+d%E2%80%99%C3%A9cran+2025-02-28+%C3%A0+14.51.24.png</image:loc>
      <image:title>Bernar Venet</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/chris-mccaw</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1711115888790-5OQ1HSRZI3ZCNR5WZU7I/Chris-McCaw_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/fe08af97-5180-4ef5-a358-48530ec239c4/Chris-McCaw_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Chris McCaw - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851690075-MCVI28DUQUHUEI9D1K1R/DSC_9929%2BHD.jpg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Credit : Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851855305-CVWA02RLR65TCZ82O5CZ/DSC_9928%2BHD.jpg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Credit : Denis Faravel for the Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851657535-1HTZ7ZQ2ZBVYCE49IQ2C/Installs-views_Paris-Photo-booth-28_Courtesy-Bigaignon_43%2Bcopie.jpg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the Paris Photo fair, Main Sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851376895-5IJ9GO8BYAFNZNGVC3EA/_MG_8622+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the solo show “Marking Time”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851382843-G2SPYEYAE2BPGK4BDIGD/_MG_8631+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the solo show “Marking Time”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851395075-J2B0VYJWYK1PEEWQXPRS/_MG_8670+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the solo show “Marking Time”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851410168-4GXKWFF963KVQ9XOWRU0/_MG_8659+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the solo show “Marking Time”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740851388410-3WBSSI3MKZNU4Z6T0FYO/_MG_8646+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
      <image:caption>Installation view of the solo show “Marking Time”, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/482b197c-330c-4bfc-9ac5-af956607f870/Chris-McCaw_Heliograph+%23154_2022_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/a05dcc34-ecdd-455f-83eb-49e22f045351/Chris-McCaw_Sunburned-GSP%23865_2015_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432582426-2Q34XOSJA2ET50XSU639/Chris-McCaw_Heliograph+%23109_2016_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432585704-XZZPIJMQFSJA93IZ8GJI/Chris-McCaw_poly-optic%23051_2016_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432592019-L4MJDXOEB3KZ5VTM0EMP/Chris-McCaw_Sunburned-GSP%23902_2016_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432594501-OJPMTJGH2I2DM2M69V4W/Chris-McCaw_Sunburned-GSP%23946_2016_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432632634-Y300SSO532R37OT75INK/Chris-McCaw_Sunburned-GSP%23780_2014_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741432660685-SDWJIAL8HC5ALAABHKCW/Chris-McCaw_Sunburned-GSP%231099_2024_Courtesy-Bigaignon+copie.jpeg</image:loc>
      <image:title>Chris McCaw</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741433223086-UT13Y5XUCZBSINVG36AN/Sunburned+GSP%231101.jpg</image:loc>
      <image:title>Chris McCaw</image:title>
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    <image:image>
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      <image:title>Chris McCaw</image:title>
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    <image:image>
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      <image:title>Chris McCaw</image:title>
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  <url>
    <loc>https://bigaignon.com/harold-feinstein</loc>
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    <lastmod>2025-10-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1548782703080-SOE4WOF3JD0BFIH1M6XB/GTB_Harold-Feinstein_Portrait_Courtesy-Galerie-Thierry-Bigaignon.jpg</image:loc>
      <image:title>Harold Feinstein</image:title>
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    <image:image>
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      <image:title>Harold Feinstein</image:title>
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      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
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      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the group show “A Black &amp; White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740848797259-1ZH2667RU242XJR9GX8D/Harold-Feinstein_Life-as-it-was_InstallView-5_Courtesy-Bigaignon_HD+copie.jpeg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Life as it was”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740848796627-NNBMHDUR6Y24QOSXO9A1/Harold-Feinstein_Life-as-it-was_InstallView-6_Courtesy-Bigaignon_HD+copie.jpeg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Life as it was”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740848805487-LP50KGMHVIZN69K7R9XP/Harold-Feinstein_Life-as-it-was_InstallView-7_Courtesy-Bigaignon_HD+copie.jpeg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Life as it was”, Bigaignon, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740848914790-7VRGUTXK5I5NBIUVVFXT/GTB_United_Courtesy-Galerie-Thierry-Bigaignon-18+copie.jpg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the group show “United”, Bigaignon, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849048567-4RHWLJGSEBHWFMI9LO05/IMG_7412+copie.jpg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Graciously Yours”, Bigaignon, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849012156-ZZ4V3YJG8LZH7IWNH7D6/IMG_7407+copie.jpg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Graciously Yours”, Bigaignon, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849193520-YMZW4XA4P0F64Q0ASIHN/GTB_Feinstein_InstallShot-1+copie.JPG</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Contagious Optimism”, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849194175-1PA9KTBGESTLE5UJY2MK/GTB_Feinstein_InstallShot-5+copie.JPG</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption>Installation view of the solo show “Contagious Optimism”, Bigaignon, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084116090-A0L016K3MZO55C8SRO1B/CI-023_Coney_Island_Teenagers_1949.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Coney Island Teenagers, 1949 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2009 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569083713188-N565NDFQNV8DNORUBLTR/GTB-0620-image.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Breezy Curtains (Vermont), 1978 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Warm Tone (2014) 50.8 x 40.6 cm (20 x 16 in) Declared edition of 20, total printed 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084116969-9IU46I2O5H1ZG1RPZTLT/CI-251_Boardwalk_Sheet_Music_Montage_1952.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Boardwalk Sheet Music Montage, 1952 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Galerie FB Digital Silver paper, printed in 2015 50.8 x 40.6 cm (20 x 16 in) Declared edition of 20, total printed 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084116194-XDIXPYJEXI471YRI57K6/GTB_Girl_Watching_1957.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Girl Watching, 1957 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2009 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569083711279-HL50ZGJXK2QVR2E7AZDY/GTB-0140-image.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Girl in Harlem Window, 1954 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2009 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084711231-2N1CIOCTXZNGX8Z31BYO/Capture+d%E2%80%99%C3%A9cran+2019-09-17+%C3%A0+17.00.10.png</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Window Washer (New York), 1974 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade (2009) 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084554516-WMZRFSG0FTDWULVTIPAJ/CL-003_125th_Street_From_Elevated_Train_1950.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - 125th Street From Elevated Train, 1950 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2012 50.8 x 40.6 cm (20 x 16 in) Declared edition of 20, total printed 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084358737-ODGDRRL3OHS75Z5G8WYA/CI-009_Boardwalk_Stairs_1950.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Boardwalk Stairs, 1950 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2010 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569083713557-7VOUI1IYF6KICB6O72EY/GTB-0159-image.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Asleep on the Subway Train, 1947 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2012 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569084415322-DJ23DQXP61YP6QMCUU6Q/CL-034_Pigeons_1956.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Pigeons, 1956 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2009 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569083714345-ZEX0IWKNUZECW5IEUL91/GTB-0625-image.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Ascending Subway Stairs (New York, NY), 1970 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Warm Tone (2013) 40.6 x 50.8 cm (16 x 20 in) Declared edition of 20, total printed 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1569083711529-H783BBWG1R4NH4S9I8TB/GTB-0099-image.jpg</image:loc>
      <image:title>Harold Feinstein - Harold Feinstein - Cramped Quarters, 1952 (Copy)</image:title>
      <image:caption>Silver gelatin print on Ilford Multigrade paper, printed in 2011 50.8 x 40.6 cm (20 x 16 in) Declared edition of 20, total printed 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741440803067-J7EGNMOL4CQ9ZDZ7PENG/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-03-08%2B%25C3%25A0%2B14.31.47.jpg</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849610076-AP5P1EEUL5ZW29H04L05/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.08.01.png</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1740849608520-ZQ4KGF4TK4EY9MOU7H3S/Capture+d%E2%80%99%C3%A9cran+2025-01-23+%C3%A0+15.07.52.png</image:loc>
      <image:title>Harold Feinstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Harold Feinstein</image:title>
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      <image:title>Harold Feinstein</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://bigaignon.com/remi-noel</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
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      <image:title>Rémi Noël</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1583953982556-U698CKNAP40ULNUW6MV5/GTB_Remi-Noel_Portrait_Courtesy-Galerie-Thierry-Bigaignon.jpg</image:loc>
      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the group show “A Black &amp; White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
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    <image:image>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the solo show “Dear America”, Bigaignon, 2021</image:caption>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the solo show “Dear America”, Bigaignon, 2021</image:caption>
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      <image:title>Rémi Noël</image:title>
      <image:caption>Installation view of the solo show “Dear America”, Bigaignon, 2021</image:caption>
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      <image:title>Rémi Noël - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741260878179-3ZTAXMJBZFR43GODDYXQ/In+the+world+of+Hopper_Route+6_Marfa+_Texas+copie.jpg</image:loc>
      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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      <image:title>Rémi Noël</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741261184543-MMN237F82N8S3J0LPPXQ/Capture%2Bd%25E2%2580%2599%25C3%25A9cran%2B2025-03-04%2B%25C3%25A0%2B15.06.38.jpg</image:loc>
      <image:title>Rémi Noël</image:title>
      <image:caption />
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  <url>
    <loc>https://bigaignon.com/james-howell</loc>
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    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/ebceff25-e6f5-4725-be94-afe51b0f0d76/Jim+Easel.jpeg</image:loc>
      <image:title>James Howell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/ebceff25-e6f5-4725-be94-afe51b0f0d76/Jim+Easel.jpeg</image:loc>
      <image:title>James Howell - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741262220190-X4ET5N4FKJG93020X43J/Install-views_La-reserve_Nuances-Infinies_Courtesy-Bigaignon_01.jpeg</image:loc>
      <image:title>James Howell</image:title>
      <image:caption>Installation view of the group show “Nuances Infinies”, reserve, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741262418246-BFY4F801HP1CQY5YDIHL/%28S10%29+Sets+48-17+to+57-04_Four-Part+Progression_07-05-04_15.5%2522_%23g.005_%2375a_SOEST_1.jpg</image:loc>
      <image:title>James Howell</image:title>
      <image:caption>Installation view, Soest, Germany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1726581913653-83HUZOSUWCXFE278785M/%2306a%2BSKK%2B%28S10%29%2BSet%2B97-90_11-03-98_66%2522.web.jpg</image:loc>
      <image:title>James Howell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1726581921746-2YVYZMNCMTWNMN8QNK5B/%2305a%2B%28S10%29%2BSet%2B66-89_04-28-99_66%2522.web.jpg</image:loc>
      <image:title>James Howell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741262602236-MV0XIGHG4LZ7PI65SFJI/%2528S10%2529%2BSet%2B48-17_11-26-00_66%252522_%252304a_SOEST.jpg</image:loc>
      <image:title>James Howell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741263016802-IJD2PSPUNZZMNVQS0J7N/Capture%252Bd%2525E2%252580%252599%2525C3%2525A9cran%252B2025-03-06%252B%2525C3%2525A0%252B13.08.15.jpg</image:loc>
      <image:title>James Howell</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://bigaignon.com/bernard-joubert</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677239378220-0NR9O7XOI85PTZ1MS6H6/Bernard-Joubert.png</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/b6fc8a62-116b-4787-9873-60c891363eee/Bernard-Joubert.png</image:loc>
      <image:title>Bernard Joubert - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345001842-LW369SW61K0W5H4UIYLW/DSC_9777+HD.jpg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345012071-SSZRYBG6SX0X7BL3NDLX/DSC_9791+HD.jpg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345014819-FCSS9SEH0MRQ7QANSHGM/DSC_9792+HD.jpg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the off-site group show at Bonisson Art Center “Ligne(s) de mire, Bigaignon, 2025. Crédit : Denis Faravel pour le Bonisson Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345028137-9WVN6PH9A48UIMKJG2G6/_MG_8788.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the Art Brussels fair, Main sector, Bigaignon, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345027197-36PKEJNZ322BCEU1EVLM/Install-view_Bernard-Joubert_Le-fixe-et-le-variable_Courtesy-Bigaignon_72+copie.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the solo show “Le Fixe et le Variable”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345021404-V0LOMQIRG2ND6SMWOKJ1/Install-view_Bernard-Joubert_Le-fixe-et-le-variable_Courtesy-Bigaignon_13+copie.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the solo show “Le Fixe et le Variable”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345019519-HPJDT7M7P6G7U98MAHZB/Install-view_Bernard-Joubert_Le-fixe-et-le-variable_Courtesy-Bigaignon_08+copie.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption>Installation view of the solo show “Le Fixe et le Variable”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238340493-EDH35VDBZ3CB5AAUPKF8/Bernard-Joubert_PARIS_1976_aparis_06_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238343456-EFO2TOF7SM24YLHTTM6W/Bernard-Joubert_VENISE_1976_venise_03_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238339424-HVNST0QH2DWNDC0SQAMV/Bernard-Joubert_PARIS_1976_aparis_05_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238336434-302OOBS7A9O3KPBTABH7/Bernard-Joubert_PARIS_1976_aparis_02_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238334302-9I44YDWIVWKZVDG8DE8C/Bernard-Joubert_NY_1976_bnewyork_07_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1677238335435-1SP9U3PFOJICG7PPRZUT/Bernard-Joubert_PARIS_1976_aparis_01_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345486964-V2JX68N6TL7MJE1XLCUQ/Bernard-Joubert_2011_peinture_alhuile_sur_planche_photographique_d_adolphe_braun_albrecht_durer_2011_55x40cm_b_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345486875-KEFM5EDIU87QNZT96Z4M/Bernard-Joubert_2011_1peinture_alhuile_sur_planche_photographique_d_adolphe_braun_raphael_sanzio_2011_55x40cm8_B_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345561842-JEAQMNEUUVLAVINVTQVD/Bernard-Joubert_2014_32x24cm_huile-sur-papier_bernard-joubert_2_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741345488447-MAA9C7LQOA5N1M4GZPA5/Bernard-Joubert_2020_1975-1980-2020_temps-simultanes33_24x18cm_acrylique-sur-ruban-de-toile-sur-photographie-newyork_Courtesy-Bigaignon.jpeg</image:loc>
      <image:title>Bernard Joubert</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752231864699-PKIK3UEHUNS5Y4MSX5QE/Fond+visuel+bigaignon.store-11.png</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1752231128703-C6AZ2SBWH4VB5CIAVJJA/Fond+visuel+bigaignon.store-9.png</image:loc>
      <image:title>Bernard Joubert</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/thierry-urbain</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1673365380815-NHJNNWIXFG6P7S3GB2MR/Anne-Camille_Allueva.png</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/0c83a817-ed53-49ed-8c28-18a1c65bfa2d/Thierry_Urbain_NB.jpeg</image:loc>
      <image:title>Thierry Urbain - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741346733045-F50C0J4SWIJ7BWAS7MRR/Install-Views_Chair-du-temps_Thierry-Urbain_courtesy-Bigaignon_01_HD+copie.jpeg</image:loc>
      <image:title>Thierry Urbain</image:title>
      <image:caption>Installation view of the group show “Chair de Temps”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741347456275-Z7DYF7U1P2EPSE720990/_MG_5233%2Bcopie.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
      <image:caption>Installation view of the group show “A Black &amp; White Journey”, Bigaignon, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840748649-8PO4J8H2LH2WELJ51EKO/ANAMN_139.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840758346-TILXNJTBQ8RWZL1DQD2H/ANAMN_155.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840766157-IDCUXZQKYBJQ9T0L50LY/GTB-0670-image.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840774298-I5XOCYYS9IN4LCURPX4C/GTB-2767-image.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840832234-TSAEB59LA63X0V1D0ZJY/ETMK1_001.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840845711-KMC4LDSJO6V42KWEH0PP/ETMK1_002.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840953358-1WBGFPKLNCDB5KAECWCF/ETMK1_004.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1747840979995-4RGR4M0Q7L7T949BUQVA/ETMK1_011.jpg</image:loc>
      <image:title>Thierry Urbain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1741348479993-O3ZMXLE17ZHJWXY7XR1V/Capture+d%E2%80%99%C3%A9cran+2025-03-07+%C3%A0+12.54.15.png</image:loc>
      <image:title>Thierry Urbain</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/thomas-paquet-oh-light</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1742397826902-EJ0B2M7UUSYVK7E7Y2DH/Thomas-Paquet_arc-en-ciel_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/d78a899c-1668-4639-9d04-bcd72096951f/Bigaignon_Thomas-Paquet_Oh-Light%21.png</image:loc>
      <image:title>Thomas Paquet • Oh Light! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744795715642-87WEJPVKECWRVTD10EBX/Oh+Lumi%C3%A8re-view1.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744795805266-ZQ3RXNLY0GCEBCB3JCJY/Oh+Lumi%C3%A8re-view2.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744795823342-CQ9TMJ61F9H804JVX7J2/Oh+Lumi%C3%A8re-view6.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744795842727-1N1QLXNJM3ZQ3C01PUQ5/Oh+Lumi%C3%A8re-view4.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1744795851714-Y3ROT4A3H4DA9ZAGCA50/Oh+Lumi%C3%A8re-view11.jpg</image:loc>
      <image:title>Thomas Paquet • Oh Light!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/paris-photo-2024-copy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-05</lastmod>
  </url>
  <url>
    <loc>https://bigaignon.com/ralph-gibson-vu-imprevu-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/0ae69d41-0661-4fd1-8ae7-69096977c205/Ralph-Gibson_Priest_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Ralph Gibson • Vu, imprévu (2025)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/c0fe363b-4177-4899-8630-f9639035c4ca/Vu-Impr%C3%A9vu.jpeg</image:loc>
      <image:title>Ralph Gibson • Vu, imprévu (2025) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://bigaignon.com/mary-ellen-bartley-morandis-books</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/d96c95a4-35c3-4b05-8126-28386ed49f0a/Mary-Ellen-Bartley_Painted+Vase_Courtesy-Bigaignon.jpg</image:loc>
      <image:title>Mary Ellen Bartley • Morandi's Books</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56f2b4ed044262c53cfaa73d/1ac8dc3f-b38e-4808-8dd6-11ae5cea228c/Bigaignon_Mary+Ellen+Bartley_Morandi%27s+Books_EN.png</image:loc>
      <image:title>Mary Ellen Bartley • Morandi's Books - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Mary Ellen Bartley • Morandi's Books</image:title>
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      <image:title>Catherine Balet • Albedo - Make it stand out</image:title>
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